What Do You Draw In Your Scribbler?

Lately I’ve been talking a lot about the small notebooks I use for quick-sketching and sharing my quest for a notebook that I find useful for that purpose.  For the past couple years I’ve used small notebooks I bought at the dollar store but ever since Marc Taro Holmes talked about using a Moleskine cahier (the staple-bound books) I’ve been looking for something in that format, after finding the Moleskine notebooks to bleed/ghost more than I like.

All that talk – that quest – caused a couple people to ask, “Why do you use the small book rather than one of your larger books?”  That seemed like a good question so I thought I’d talk about that a bit.

Mostly, it’s about time and convenience.  When I grab one of my Stillman & Birn sketchbooks, it’s generally because I’m going to spend at least half an hour on a drawing and often the result has taken me an hour or more.  It’s very rare for me to spend more than 15 minutes on a sketch in my small books and most of the sketches I do in it take 5 minutes or less.  At times I’ll try to sketch moving people and spend no more than a minute per sketch.  They’re also small and I can stuff them in a pocket so they’re available at a moment’s notice.

But it’s more than that.  I treat these smaller books very casually.  I’ll do ink and pen tests in them.  I’ll write notes, make lists, or someone’s phone number or web address.  While watching baseball I’ll fill pages with partial sketches of baseball players.  I’ll practice drawing ellipses, spheres, etc.  I’ll draw random shapes and then hatch-shade them.  In short these little books are a training ground for me.  I’ve always thought it odd that people seem to believe that you learn to draw by only doing complete drawings, as though one learns to play the piano by playing Rachmaninoff concertos.

More important than all that, though, is that I use them continually.  If there’s truth to having to draw a million lines before starting to create decent art, I’m playing catch-up.  I draw whenever I have a few minutes, no matter where I am.  Because of this, I’ve found there’s a middle ground between finished drawings and quick scribbles and I use these books for the middle ground as well.

If I’ve got a few minutes to draw I’ll find something small and draw it, at least as much to hone my hand-eye coordination as anything else, but mostly I do it cuz it’s fun.  I thought I’d show you a few  examples, though I did show a few in recent reviews of the small notebooks.  The tan sketches are in my “mustache” book and the white ones are in the new Field Notes Workman’s Companion notebook.

Some chairs and a guy.

Some chairs and a guy.

A crowd watching a baseball game, sketched while I was watching a baseball game.

A crowd watching a baseball game, sketched while I was watching a baseball game.

This guy walked by my house, very slowly, very deliberately.  Odd gait.

This guy walked by my house, very slowly, very deliberately. Odd gait but I probably exaggerated it.

Drawn from TV

Drawn from TV

While sitting on the back porch

While sitting on the back porch

Recently I reported on an Urban Sketchers event at the Stewart Galleries in Montreal.  I presented a sketch that I did there.  But I do other, little sketches, at these events.  Here are a couple done at that event.

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Archway onto a patio at Stewart Galleries. Drawn while Yvan and I ate lunch (pencil)

 

 

 

 

 

Tiny pencil vignettes done while at the Stewart Galleries

Tiny pencil vignettes done while at the Stewart Galleries

 

 

 

 

 

 

As you can see, these sketches reflect a variety of subjects and have been drawn with different pointy devices.  Each, I hope, improved my ability to capture the world around me.  Mostly, though, they represent precious minutes of fun.

 

 

 

Why Did The Ferry Cross The River?

If you sit on the Quebec City side of the St. Lawrence you see a long hill on the other side.  Atop that hill is the town of Levis but below it is a road some buildings.  I sat under a tree and let my pen wander, documenting that lower level along the south coast.

Canson Mi-Teintes paper, Namiki Falcon, De Atramentis Document ink

Canson Mi-Teintes paper, Namiki Falcon, De Atramentis Document ink

Posted in Art

Croquistes de Quebec Inaugural Sketchcrawl

Yvan Breton, our leader.  Apologies to Yvan for the poor photo

Yvan Breton, our leader. Apologies to Yvan for the poor photo

Last Sunday, the Croquistes de Québec held their first sketchcrawl, randocroquis, urban sketchers meeting, or whatever you want to call it (grin).  Whatever the name, we were out en masse  sketching on location.  Our fearless leader is Yvan Breton and he brought together more than a dozen folks for the purpose of enjoying the company of fellow sketchers.

And wow, did we have fun.  They say that absence makes the heart grow fonder and there is no better evidence of that than how Quebecers respond to a nice, sunny day.  We got one on Sunday and we all took advantage of it.

The garden, Jardin de Jeanne d’Arc, is part of  Battlefield Park and is one of the prettiest places in Quebec City.  It’s a long strip of land with a large statue in the middle and a well-tended flower garden surrounds its grass interior.  Our dozen or so sketchers spread out and began to sketch.  I couldn’t help but notice the various seating approaches used.

Some (Jodie & Larry here) used the local benchware. [photo by Yvan]

Some (Jodie & Larry here) used the local benchware. [photo by Yvan]

 

Some brought comfy chairs

Celine brought a comfy chair

While not popular the elevated view was used by some.

While not popular the elevated view was preferred by Joanne.

The most popular approach, of course, was the tripod stool.

The most popular approach, of course, was the tripod stool modeled here by Ann.

Some brought an entire studio along with their comfy chair

Yves brought an entire studio along with his comfy chair

In the end, though, we were all comfortable.  We broke for lunch on the grass and talked about pens, sketching and how great the weather was.  Did I mention that we were impressed by the weather?  Then, it was back to our benches, tripods, and chairs and our pointy devices started moving again.  We didn’t do a formal show-n-tell but sketchbooks were exchanged, mostly during lunch, and I think everyone went away with a hope that the next sketchcrawl will occur soon.

2015-07-12JeanneDArcI started my day with this sketch, of the lady honored by the park, Jeanne d’Arc.   I did this one in a Stillman & Birn Beta (9×12) with my Namiki Falcon and De Atramentis Document ink.  I also did a more complete pencil under-drawing than I normally do and, frankly, I think the pencil looked better than the ink, probably because it didn’t attempt so many details.

Things sort of went downhill from there when I started adding color as I stuck the side of my hand in red paint and promptly “stamped” a red blotch onto the paper (bottom left).  I tried, without success, to cover up with an awful dark green grass treatment.  Better luck next time 🙂

I also did this sketch of some of the beautiful rock stairs that lead down into the garden.  I didn’t have time to add color so you’ll just have to look at lines, my favorite things.

Last but not least, this was my daughter’s first opportunity to sketch with other people (she’s the one sitting with me on the bench).  Like so many, she was afraid she was apprehensive, certain she couldn’t sketch well enough, and that she’d be too intimidated.  But, she had a great time and told Yvan just before we left that “I’ll be at the next one.”

Stillman & Birn Gamma (10x7), Namiki Falcon, De Atramentis Document black

Stillman & Birn Gamma (10×7), Namiki Falcon, De Atramentis Document black

Sketching Louis Joliet

If you’re old like me you remember black and white movies.  As a kid my favorites were the cowboy movies, particularly those about people “moving west” to settle the “wild west.”  These movies were packed with caricatures, though I was too young to notice at the time.  Classic “tonto” depictions of Native Americans, white guys in white hats who were bigger than life and who, I’m sure, could leap tall buildings with a single bound but who never had to because they managed to shoot 30 times with their 6-shooters.

Very often there was a French trapper, always named Jacques, who was either someone’s sidekick, or occasionally stood in for the black-hatted bad guy.  As a kid growing up in Arizona, it’s what I knew of the French.

Well, there really were French guys named Jacques and I suspect they were tougher than John Wayne ever thought of being.  They were the real deal, though they weren’t all named Jacques.  Some of them were named Louis and one named Louis Joliet ranks right up there with Lewis and Clark, when it comes to being a trailblazer.

Born near Quebec City, Joliet became a trapper after bailing out of a path to become a priest.  An accomplished harpsichordist and organist, Louis not only spoke French but several of the native languages as well, and he became a trapper and explorer extraordinaire.  He and his buddy Jacques Marquette (see, there were real French trapper/explorers named Jacques), discovered the headwaters of the Mississippi River and were the first to map its entire length.  Joliet, Illinois, among other places is named after him.

Ok…I’m back.  This is a blog post about sketching after all.  I sometimes get lost in Quebec’s history.  In short, he was a big deal and one of Quebec’s best sculptors, Suzor-Côte created a wonderful bronze statue of the man.  It resides against the walls of the Quebec Parliament with other statues of famous Quebecers, each with their own place in history.

On this day, I only sketched one of them, otherwise you’d have to endure more history lessons.  Instead I’ll just tell you that I sketched in a Stillman & Birn Beta (6×9) using my Namiki Falcon and DeAtramentis Document Black ink.  If you follow this blog you know that I’m really partial to the Falcon/Document Black combo.  It’s fantastic for pen and wash, though in this case I got lazy and didn’t put any color on the sketch.  The sketch is probably the better for it.

2015-07-09LouisJoliet

Sketching At Chalmers-Wesley United Church

Yvan and I got a chance to sketch at the Chalmers-Wesley United Church last Wednesday.   Sketching the many carved surfaces in these churches is excellent hand-eye coordination exercise but, for me, the big deal is that with so many surfaces going in so many directions, it’s good experience in trying to see and replicate tonal variation.  I still struggle with capturing this in ink so I like to do it when I get the chance.

We set up around a baptism urn (apologies if that’s not what it’s called).  This one had a triangular base with three panels of stone engravings, each of them unique, and we set our sights on drawing them.  We were going to draw for a couple hours, listen to a scheduled organ recital, and then head to the museum to try to sketch moving targets in the form of dancers.  That’s what Yvan did, I think.  For me things didn’t go so well.

I got a migraine as I was drawing.  I finished up the sketch below, packed up and went home.  No more drawing, no organ recital, no dancers.  Not all sketching days go well.

Stillman & Birn Beta, Namiki Falcon, De Atramentis Document Ink

Stillman & Birn Beta, Namiki Falcon, De Atramentis Document Ink