Today I Sketched A Toilet

Several of us went sketching at Parc des Braves in Quebec City.  I love this park.  Aside from its towering monument at the entrance, this park is nothing more than grass, picnic benches and a lot of trees. Still, I love it because it’s so quiet.

A very busy street runs in front of the park but when you enter, the first thing you have to do is descend below street level.  From there the park slopes away from the head end of the park.  This micro-geography causes the park to be devoid of any city sounds, leaving one to enjoy the tranquility of the park.

When it comes to sketching subjects, the logical choice is the large monument tower that commemorates fallen soldiers but I just wasn’t in the mood for that.  Instead I decided to draw the toilet.  Doesn’t everyone draw toilets?  Urban sketchers do – don’t they?  Anyways, here is the Parc des Brave toilet.

Stillman & Birn Gamma (10x7), Namiki Falcon, De Atramentis Document Black

Stillman & Birn Gamma (10×7), Namiki Falcon, De Atramentis Document Black

Sitting In The Park – Looking Up

I’ve noticed that since I’ve started sketching that I look up a lot.  In doing so I’ve realized how much we miss as we go through a daily routine.  But rooftops have lots to offer, as do features on multi-story buildings.  In large part, we pass by, never seeing any of it.

So it goes if you sit in the little garden/park in the St. Roch area of downtown Quebec City.  The flowers are great.  The artificial waterfall is great.  Even the people sitting and walking around are great.  The constant stream of buses and cars that pass by the park are great.  You can draw all day without looking up.  But if you do, you see this:

Stillman & Birn Gamma (10x7), Namiki Falcon, De Atramentis Document Black

Stillman & Birn Gamma (10×7), Namiki Falcon, De Atramentis Document Black

Quick Thumbnails Are Fun

When I took Liz Steel’s Foundations course she sat down at one location and showed us how she occasionally draws half a dozen thumbnail sketches of different scenes in the area.  I didn’t give it much thought as it always seemed to me that urban sketching was more about making a choice, drawing it immediately, and moving on, making thumbnails somewhat redundant.

Shari Blaukopf talks about thumbnail value sketches in her new watercolor landscape course on Craftsy.  I think this is a more typical use, with the end result being a watercolor painting using one of the thumbnails as the basis for the painting.  Again I thought it not for me.

2015-06-11Thumbnails1


2015-06-11Thumbnails2But I’m still entrenched in my mustache notebooks and when I was out walking the other day I decided to do a bunch of thumbnails as I walked around Quebec City.  The notebook is 4×6 but the thumbnails were typically half the page so they were quite tiny.  I used a mechanical pencil to do them.  And you know what?  It’s FUN!!!

2015-06-11Thumbnails3Obviously this isn’t great art; that’s not the goal.  But it’s really fun to spend no more than a minute or two scribbling down some lines that kinda-sorta looks like the scene before you.  Maybe I’m supposed to be having deep thoughts during the process but, frankly, nothing could have been further from my mind.  Or maybe it’s that my mind couldn’t have been further from the process.  I was just scribbling.

2015-06-11Thumbnails4

I’ll be doing more of these but I probably won’t be using a pencil.  I’m not an eraser guy so I don’t need to use pencil and I simply prefer ink because it doesn’t smear as my hand moves across the paper.   Thanks to Liz and Shari, even if I didn’t get the msg the first time around.

Oh, and I did do a more formal sketch of one of these.  This one was done in a Stillman & Birn Gamma (10×7) with my Namiki Falcon.

 

2015-06-13Concorde

Sometimes It’s All About The Shape

Sometimes, as I walk around my city I find a building or scene that I think will make a nice sketch.  Sometimes it’s a thing, like a boat, a car, fire hydrant or maybe a statue in a park.

But sometimes, it’s a shape that grabs my attention.  That was the case as I was walking near the marina.  There are several large tugboats there and I noticed that one of them had an array of pipes and nozzles that, from the diameter of the feed pipes, must be capable of dispensing more than a little water onto a fire.  I couldn’t resist; I had to draw it.  Done small, in my little mustache book, I really enjoyed doing this little sketch.

2015-06-13FireTug

There’s More To Urban Sketching Than The Sketch

Studio artists get their enjoyment from two sources.  They can enjoy the creatiive process or they can enjoy the creation itself.  Urban sketchers enjoy these things too but for them there are other options.  Maybe it’s a special place or just a nice, sunny day that brings them joy during a sketching session.  Maybe it’s the comaraderie of drawing with a group of friends.  But sometimes the most enjoyment comes from the people you meet.

That’s how it was this day as I was wandering around Quebec’s port area.  I sat down to do a quick sketch of a guy who was fishing.  In my mind it would be a quick, inconsequential 2-minute sketch, maybe less.

The young fisherman had an even younger person hanging out with him.  The little guy saw me as I began the sketch and came over to take a look.  He said nothing and went back to the fisherman.  He returned a minute later, looked at my sketch and said, “Il est mon frère!”  He was excited that I was drawing his brother.  He ran back to tell his brother.  Lucky for me his brother was more interested in fish than drawings of himself or I would have lost my model.

The little boy, probably no more than 5-years old, started pointing at the sketch.  “His shirt should be red,” and he pointed at the shirt sleeve.  I was using pen in my cheap book and had no intention to add any color to this little sketch but he persisted.  “The chair is blue,” and he pointed at it.

Succumbing to my audience turned co-creator, I got out my watercolors and a waterbrush.  I plopped some red on the shirt, blue on the chair.  Buoyed by my response he started pointing to other things, telling me what color they should be.  I told him that the paper wasn’t very good for color and he seemed to understand, though I think he was a little disappointed.  But I thanked him for helping me with the drawing and he was pleased.

Saying goodbye, I walked away with a memory of the day I sketched with that little boy.

Cheap mustache notebook, Namiki Falcon, De Atramentis Document Black - done  with the assistance of a new friend

Cheap mustache notebook, Namiki Falcon, De Atramentis Document Black – done with the assistance of a new friend