A House On Rue St. Jean

Tourists to Quebec City come for what’s contained within the walls of the “old City,” a city that has expanded into a large metropolitan area (7th largest city in Canada) with the central core becoming more of a tourist attraction than a “downtown” area.

As the city grew beyond those walls, the St. Jean and St. Louis “gates” were enlarged so that more traffic could flow in/out of that part of the city and people, living out of town, could get back and forth.

Rue St. Jean and Rue St. Louis were the main thoroughfares for that traffic and very quickly, “out of town” was no longer out of town.   In fact, just west of the old city became the ‘downtown’ area.  It’s where the provincial parliament building stands, where major hotels reside, and, at last count, one restaurant for every citizen.   But one can see that, “back in the day” the prime real estate along these routes was built up by wealthy businesses and people and while many of the stores and nightclubs along these routes are no longer banks and law offices, their architecture smacks of high times.

For a sketcher these older buildings are very inviting as subjects but it’s hard to find a place to sit or stand while drawing them because the sidewalks are narrow and there’s lots of traffic on them.  Still, I venture there sometimes and I managed to draw the upper portion of this stately house last week.

I did it in a 6×8 Stillman & Birn Beta sketchbook with a TWSBI Mini and De Atramentis Document Black ink.  I added some darks with a Kuretake #13 brush pen and Platinum Carbon Black ink.  All of my watercolors these days are Daniel Smith.  Hope you like it.

2015-05-17RueSt.Jean

Warm Up With Small, Quick Sketches

Sometimes, when I’m out walking/sketching I start with some small, quick sketches, done in an inexpensive 3×5 or 4×6 sketchbook.  This gets the juices flowing but also, this allows me to capture little scenes or things that I would otherwise pass by.

I’ve been doing a lot of them this week, mostly because I’m so thrilled by the sun that I just want to walk around in it rather than sit for extended periods sketching.  I’m getting a good tan (grin).  These quick-sketches also give me a chance to play with different approaches and I’m convinced that they have teach me more than any of my longer sketches.  Here are a couple examples:

3x5 sketchbook, Namiki Falcon, PCB and Kuretake #13 brush pen w/PCB

3×5 sketchbook, Namiki Falcon, PCB and Kuretake #13 brush pen w/PCB

3x5 sketchbook, Namiki Falcon w/PCB.

3×5 sketchbook, Namiki Falcon w/PCB.

Sketching A Memory Of 1759

There’s a hospital a mere half hour walk from my house that has a small cemetery associated with it.  It’s somewhat special because there is a sculpture that honors French soldiers who died during the Seven Years War (1756-1763) as well as a series of plaques listing their names, by year.  It’s also the case that Montcalm, the Commander of French forces is interred there.   Montcalm was killed during a battle on the Plains of Abraham, the battle that was the turning point of the war in favor of the British, though the British commander, Wolfe was killed as well.

My Sketch with the sculpture in the background.  Stillman & Birn Beta, Namiki Falcon, De Atramentis Document Black

My Sketch with the sculpture in the background. Stillman & Birn Beta, Namiki Falcon, De Atramentis Document Black

I mention all this because I met with Claudette, Louise and Fernande to draw the sculpture on a day that was too cold and windy for reasonable people to be outside, but we’re tired of waiting for spring.  So, bundled up and huddled against the wind, we drew, we laughed, and enjoyed each other’s company.  I had the presence of mind (an odd thing for me) to take a photo of the group so you can finally meet some of my friends.  I also had the opportunity to take quick photos of their sketches so I can share those with you as well.  Hope you enjoy them.  They’re very talented sketchers.

TheGang

LtoR: Louise, Claudette and Fernande

Claudette's sketch

Claudette’s sketch

Fernande's sketch

Fernande’s sketch

Louise's sketch

Louise’s sketch

Searching For A Quicker Sketching Style

I’ve only been learning to draw for three years.  I have a long way to go but my goal has always been to achieve the ability to sketch in styles similar to those of Pete Scully, Gerard Michel, and others who sketch buildings in a realistic fashion.  My own semi-cartoony attempts lack their skill with line and color but I’m happy with my results because I sketch more for the enjoyment I get from the process than the actual product.

The one downside of my sketching is that I’m slow…really slow, and that limits the situations where I can apply that meditative, let the brain head off into never-never-land approach.  I spend a lot of time quick-sketching (2-minutes or less) everything and anything to help me learn to see proportions and angles more quickly but the results are far too rushed to satisfy me.

I need an intermediate method – a method that allows me to capture a building or scene in less than 20 minutes, sometimes much less.  And so I’ve been playing around with a quicker, looser style.  I study how people like Marc Taro Holmes and Liz Steel create their magnificent sketches and while my skills are not solid enough to completely mimic their approaches, they are providing me both inspiration and some mental targets for achieving a more loose style.  I’m convinced that I’m only a few thousand sketches away from solving this problem.

Until then, here is a sketch I did while out walking.  It was too cold and windy to sit still for very long and so I quickly sketched this monument that sits in the park near my river.   I did it in a cheap, 5×7 sketchbook of unknown origin.  It’s one that normally sits on my desk and I use it to scribble ideas.  I used my Sailor Profit calligraphy pen and De Atramentis Document Black ink.

2015-04-19ParcBrebeuf