Sketching In Small Notebooks

It’s officially spring in the northern hemisphere.  I wonder.  In Quebec City, it snowed last night and it’s currently -17C with the wind chill dragging it down to -27C.  Is that REALLY spring?  I don’t think so.  I’m staying inside today and thought I’d begin the day with a blog post.

I’ve been on a quest ever since I took Marc Taro Holme’s online course, People in Motion.  During that course he introduced the use of a “scribbler” – a small notebook in which you are supposed to draw constantly.  The idea of a small notebook for all the time drawing was not new to me.  Yvan Breton got me doing that a couple years ago.  I’ve been using notebooks that I bought at the dollar store.

What sent me on my quest was Marc’s use of a Moleskine “Cahier” as his scribbler.  These are very thin, staple-bound notepads, much thinner and lighter than my notebooks.  Of course I had to try it.

And I didn’t like it.  There were a number of reasons.  Like my notebooks, there are problems of ghosting and bleed-through but, while it can be annoying, for the purposes of capturing scenes and people quickly, it’s a mnor problem.  They don’t take color well either.  But the real reason I didn’t like them was that they are floppy.  I need all the help I can get when I put pen to paper and a hardcover backing is important in that respect.

But I couldn’t get the idea out of my head.  I reported on Baron Fig notepads as I investigated this further and I’ve filled one of them.  As a post-review follow up, I found the covers to be a bit fragile for someone shoving these books into his coat pocket.  Paper is nicer than the Moleskine, however.

2015-03-21Sharpie_book

Lately I’ve been drawing in a Field Notes notepad.  These have the virtue of being beautiful.  They release new colors and styles all the time, but the base idea is a 3×5 book with decent writing paper… as long as you don’t use fountain pens.

2015-03-20Old Eaves

This sketch was done with a Platinum Carbon fountain pen without much bleed-through so very fine fountain pens work.

 

This last part is a glitch for a fountain pen guy like myself but for this purpose I don’t even mind switching to a nylon or ball-point pen.  In many ways this is preferable as I can just shove a single pen into my coat pocket along with the notepad and don’t have to dedicate a fountain pen to the process.  I’ve been using a Sharpie, refillable pen (not the markers).  But that floppy problem…what to do.

THree Field Notes notebooks and a Moleskine Cahier.  Either works well if you avoid fountain pens.

Three Field Notes notebooks and a Moleskine Cahier. Either works well if you avoid fountain pens.

It required considerable communication between my three neurons but once a plan was formulated it took only a few minutes to create it.  My binder is nothing more than two sheets of 1/16″ mahogany (any thick cardboard would suffice) cut to the size of a Field Notes notebook.  I then laid them, butted against one another, and taped them together with gaffer’s tape.

I closed the binder around a notepad and while holding it firmly together, I put gaffer’s tape on the outside of the hinge area.  Now, when it opens, it forms a stiff platform that’s 6×5.  Works like a champ.  I hold the book in place with very thin hair elastics that I picked up at the dollar store.  Rubber bands work but they generate a bump under the paper.

These books will lay flat, so drawing across the fold is feasible.  I’ve just started using this so only time will tell whether it’s viable but it seems workable to me.  If so, it’s a cheap, very lightweight way to have a sketchbook with you at all times.  If you wanted better paper, of course, you could always make your own for a binder like this one.  I may do it myself as I investigate this further.

2015-03-21fromBrulerie

I did this sketch while looking out the window of a coffee shop. Will it ever warm up?

 

Sketching at Le Renard Et La Chouette

There’s a small, fun coffee/wine restaurant, Le Renard et La Chouette (the fox and the owl), on rue St. Vallier in Quebec City and I was there sketching on Thursday.  I was immediately attracted to a set of water bottles and glasses sitting on a very thick countertop and decided to draw it.  I was using my cheap tan paper sketchbook, which is not very happy to receive watercolors so I refrained from adding much color to these sketches.

tan paper sketchbook, Sailor calligraphy pen, De Atramentis Document Black

tan paper sketchbook, Sailor calligraphy pen, De Atramentis Document Black

I drank my now cold coffee and looked around for my next target.  I found it in a girl that was sort of twisted around so she could look at what her friend was showing her on her laptop.

Sailor calligraphy pen, De Atramentis Document Black.

Sailor calligraphy pen, De Atramentis Document Black.

I was nearly ready to leave but decided to do this really quick sketch of this watering can that was used to hold utensils.  Only spent five minutes on this one, and it shows (grin).

2015-03-05Renard-Chouette3

It was a fun sketching session but I really need to figure out how to drink my coffee while it’s warm.

When Sketchers Go For A Walk

We sketchers talk a lot about how sketching causes us to see and experience the world differently and we imply strongly that we do this better than non-sketchers.  Here’s an example from my Tuesday:

I met three friends, one of whom had just returned from an extended vacation.  Disappointed by a problem at the ferry we went and had coffee together.  Then we went to McDonalds for a burger.  It was a good day.

Exciting, right?  Makes you wish you were there I bet.  Maybe not.  Maybe you’re saying “Geez Larry, get a life.”  But what if I include the sketching aspect:

2015-03-03FerryI met up with three friends at the ferry on Tuesday morning.  We were all excited as one of us had just returned from an extended vacation and the anticipation of seeing her drove me to the ferry dock.  We had to take the ferry to meet our friend on the other side but the plan was to go back and forth on the ferry, sketching both sides of the St. Lawrence from the warm confines of the boat.  Only the rules had changed and stopped our plans in their tracks.  So, when we met up with our friend on the other side, we decided to head to a cafe instead.  All I managed to sketch from the ferry were some tiny few-second sketches in a Baron Fig (3×5) sketchbook.

Cheap tan paper & Namiki Falcon

Cheap tan paper & Namiki Falcon

We went to a cafe/restaurant called Paillard.  We got coffee and started chatting up a storm as we broke out our sketchbooks and pen.  Then the group went silent and our coffee cooled.  It’s true that sketchers regularly ignore their friends when they get together, but we do it in unison so it’s ok.  It was fun drawing something and then sneaking looks at everyone’s sketchbooks to see what everyone else was drawing.  We had a great time.

I’m trying to finish up a cheap, tan paper sketchbook, which is perfect for this type of quick-sketching.  The red people were done with a Pentel 8-color multi-pencil.  The tooth of this paper was too much for colored pencil, however, so I struggled with it going dull on me the second I put it to paper.

same tan paper & Pentel Multi-pencil

same tan paper & Pentel Multi-pencil

Between the chatting, coffee drinking and sketching, I guess we spent 1 to 1 1/2 hours at the café and then decided that we were a bit hungry and that maybe we could get seats looking out from the second story windows at McDonalds, which was just down the street.

Have you noticed that when sketchers draw for a while the number of pens, pencils, paints, and other stuff accumulates all over the tables?  And when the group decides to move, there’s a lot of activity as all that stuff gets put away.  Only then could we start the Quebec City ritual of donning the three layers of clothing, hats and gloves that allow us to go outside.  All that to move a hundred yards down the street.

As it turned out, we did get lucky and did get those seats at McDonalds.  To be honest, I was more interested in the burger and fries than I was sketching.  While there Yvan gave me a great lesson in using line width variation.  I hope that this, and a bunch of practice will help me improve.

When the eating was done, though, I decided to see how much of the street scene I could draw in a few minutes.  No planning, no angle measurement, no nothing.  Just a Zebra 301 ballpoint pen scribbling as fast as I could move it.  The result is certainly not as precise as my typical, molasses-paced drawing style but it was a lot of fun and was a great end to a great day.

See…it’s true that we sketchers do it better.  Don’t you wish you’d been there?

Quick-sketch (about 10 minutes) in a Baron Fig (3x5) notebook with a Zebra 301 ballpoint.

Quick-sketch (about 10 minutes) in a Baron Fig (3×5) notebook with a Zebra 301 ballpoint.

The Surrey With The Fringe On Top

In my last blog post I talked about how dark it is in the museum exhibit room where the new carriage exhibit is displayed.  I bit the bullet and decided to try to draw one of them.  I took a sketchbook light with me and I needed it.  In fact, if I’d had three of them, I would have used them all.  It was so dark where I was sitting that I couldn’t see what pens I was pulling from my bag without shining the light onto the bag.

Here’s the sketch I generated before I just gave up.  I was sitting no more than 8-10 feet behind the rear wheel and yet I could not see the front of the carriage and had to walk up beside it to figure out what needed to be drawn.  You know how they tell you to spend 80% of your time looking at the subject and 20% at your paper so you can get the proportions correct?  Well, I’m sure I did that but I don’t think the advice assumes you have to walk around the room to see the subject.  What I’m certain of is that this sketch is wonky from all the movement.  In the light or in the dark, those big, thin, spoked wheels made me go cross-eyed.

And so, as I write this, I rely on the axiom, “Any day that includes sketching is better than a day without it.”  But I think our museum is taking photon austerity just a bit too far.

Stillman & Birn Alpha, Sailor calligraphy pen , De Atramentis Document Black

Stillman & Birn Alpha, Sailor calligraphy pen , De Atramentis Document Black

Drawing Lights In A Dark Room

There’s a new exhibit at Quebec City’s Musée de la civilisation.  It’s thirteen gorgeous carriages and sleighs from a large collection.  They are amazing examples of transportation from times past… all crammed into a room where, apparently, someone forgot to pay the light bill.

I understand the crowding problem.  These things are very large objects and displaying them indoors requires a LOT of space.  It’s also the case that it’s not the museum’s prime directive to provide enough space for artists to get back to a proper viewing angle for drawing.  I get that, and some imagination is going to be required to capture these objects on paper.

But why does it have to be so dark?  It’s so dark that it’s hard to see the details.  I had to get up regularly to look at what I was sketching to see its construction.  The fact that many of them are black makes this even more difficult.  It will be a challenge and doesn’t do justice to the objects.

I spent most of my first sketching session in this exhibit just looking.  The carriages are amazing and it’s interesting to compare and contrast the different ways the undercarriages were designed and built.

Stillman & Birn Alpha, Namiki Falcon, De Atramentis Document Black

Stillman & Birn Alpha, Namiki Falcon, De Atramentis Document Black

I don’t know if it was because it was so dark or something else but I was drawn to the lights on some of these carriages, which were much more than lights; they were works of art unto themselves.  I drew two of them.  Hope you like them.

Stillman & Birn Alpha, Namiki Falcon, De Atramentis Document Black

Stillman & Birn Alpha, Namiki Falcon, De Atramentis Document Black