Last Sunday we had our monthly sketchcrawl and it was a unique event. We gathered at the main Quebec City library, in a large room associated with their art collection. We were tasked with finding a painting we liked and then doing our own take on the subject matter. There were, I think, nine of us and we had a lot of fun, particularly because we were all in the same room so we could talk. I tend to go silent when I sketch but I took breaks to see what others were doing.
I chose a large watercolor of a bunch of kids playing in tide pools, thinking I could turn it into a fun sketch. I started by blocking out the locations of the kids, indicating the horizon and generally getting the sense of what I wanted to do.
Then it happened. I decided that rather than starting to draw with my fountain pen, I’d indicate the shadow areas to begine to define the kids. This led to adding some color and I was like Alice falling into Wonderland as things quickly went out of control. The first thing I realized was that converting a large (22×30 painting) into a 7×10 sketch wasn’t consistent with the amount of detail I was planning and so some reassessment took place. That wasn’t so bad as my skills with a a fuzzy stick leave much to be desired. I was really wishing I had my fountain pen in hand rather than a fuzzy stick.
But I persisted, doing things for the first time at every turn. Still, the sketch started to look suspiciously like kids in tide pools so I convinced myself it wouldn’t be that bad. Eventually, as a last step, I did get out a fountain pen and added some lines and details, though I kept things a bit vague. I learned a lot, including how much I need to learn about watercolors. While it was frustrating at times, it was also a lot of fun. Maybe I’ll figure out fuzzy sticks eventually.
I had a hard time scanning this one. I suppose it was because of all the very pale blues in the sky and water but I gave up and took this cell phone photo of it. The colors aren’t quite right and the lighting isn’t even, but you can get an idea of what it looks like, I think.
I’m impressed. It reminds me of pictures in some children’s books from, maybe, the early 50’s. simple, pastoral, relaxing
I’m thrilled both that you like it and that it reminds you of children’s books. When I started I envisioned a scene done in my typical style. You can see evidence of rocks and such that were to become details of the scene. At one point, though, I thought of children’s books and decided that a more simple, light-colored background would be more fun so the rocks weren’t added, the sky was kept very pale and graded, and the grasses simplified and under-developed. I’m glad it worked as I didn’t really know what I was doing and sort of made it up as I went along.
I like your version….domething nice and easygoing about it.
Thanks Barbara, maybe it’s that I kept it fairly simple. A lesson I have a hard time learning is that sometimes less is more.
Hi Larry! I follow you since you started sketching (sorry, only now and then) and I see you progress so much! First you only sketched buildings and now you even make paintings of children!
Yes, we’ve been following each other for a long time, though I haven’t been following Facebook like I once did. I learned a lot from your long series of blue ballpoint pen sketches.
You’re right that I once produced a steady diet of building portraits. I love buildings but it’s also true that my choice of subjects has broadened considerably, particularly during winter when I can’t sketch outdoors. This “painting,” and it scares me to call something I do a painting, is very different from my typical sketch. You can’t go wrong drawing kids, though.