Fisherman Wood Carving

Canson XL Multi-media (7×10), Wing Sung 8008, DeAtramentis Document brn/blk, DS watercolors.

My hands were working Friday night so I decided to sketch a small wood carving we have.  The actual carving is of a grumpy old man like myself but decided to draw him younger.  In the end, it made me smile.

I was sketching while watching the Blue Jays so I was drawing in a Canson XL multimedia book that I use for scribbling during TV time.  This is not watercolor paper but if you go easy on the water, you can add some color.  I used a Portable Painter filled with Daniel Smith watercolors that I keep available for these purposes.

It Ain’t Happening This Year

Once upon a time I really enjoyed the #100PeopleInAWeek challenge so it just seemed natural to say that I was up for the challenge this year.  To be completely honest, I don’t know what I was thinking as I’m struggling to draw anything right now and am grateful for the occasional day when arthritis takes a break and I can hold a pen.

When April 8th rolled around, we citizens of Quebec were blessed with a raging blizzard.  Such storms raise havoc with my arthritis, but I gave people drawing an effort.  I got a few drawn but I just couldn’t concentrate because my hand hurt so much.  Seems after 10-15 minutes the pain increases.  So I had to stop.

Later that evening I decided to try again, this time drawing people as I watched TV.  Same situation this time; my hand gave me about 15 minutes before it became unbearable 🙁

So…after day one I was 11 people behind schedule.  The next morning we were facing blizzard conditions again and the barometric pressures were bouncing up and down.  I was supposed to sketch with friends and so I went to the rendevous, though I was having difficulty walking and my left hand (the important one) was throbbing.  We were drawing windows in the mall and I got halfway through a shaky drawing before I gave up in frustration.  And today…I can hardly hold my pen.  So… on day three I’m 41 people behind.  I’m a slow learner but even I have figured out that attempting this challenge, this year, is a fool’s errand.  Next year.

 

Why I Like DeAtramentis Document Inks So Much

When I started sketching, like most people, I gravitated towards using Noodlers bulletproof inks.  They promised a waterproof ink but that promise isn’t fulfilled if you’re using them on papers with a significant amount of sizing (i.e. – watercolor paper).  Like so many others, I found that Noodlers’ Lexington Gray was best, mostly because the gray didn’t make such bold marks when it smeared.  Nevertheless, I eventually moved to Platinum Carbon Black, a pigmented ink that worked in fountain pens and provided completely waterproof performance.

When DeAtramentis released their Document inks the sketching world went nuts for them, as did I.  Finally there was a line of colored inks that was waterproof.  I took out a second mortgage on my house and bought a bottle of each and a bottle of the dilution fluid.  I think that was about three years ago and I’ve learned a bit about my needs and the inks so I thought I’d share a few heavily biased points of view.

First, I should say something about why I’m not using other pigmented fountain pen inks (e.g. – Sailor, Platinum Carbon, Roher & Klingnor SketchInks):

Sailor: I’ve never had access to them so I’ve never tried the “nano” inks they produce.

Platinum: This ink works great.  It’s VERY black and dries somewhat shiny.  I’ve never been a fan of either of these attributes.  Also, when it’s cold this ink takes a long time to dry, leading to smearing while sketching on the streets of Quebec in October.

Rohrer & Klingnor SketchInks:  I like these inks..a lot and they’re less expensive than other pigmented inks for fountain pens.  They come in several toned down colors and dry quickly.  When it hits the paper it’s great that it dries quickly.  When its on a pen nib and the pen doesn’t seal perfectly, it can be annoying.  If I use these inks my Pilot or Platinum pens everything works great.  Put them in a Lamy, Noodlers or other lesser pen and you’ll have starting problems.  This can be resolved by dipping the nib in water but I don’t like to mess with reluctant writers.  I do still use these inks, however.

DeAtramentis brought to my sketch bag something the others do not – the ability to mix and dilute without changing the viscosity of the resultant ink.  I used to thin Noodlers inks too but there was always a compromise between getting the color I wanted and changing the flow characteristics of the ink because of the water being added.  But DeAtramentis sells pint-size bottles of their ink without pigment in it so you can add this “dilution solution” to any of their inks, thinning them with respect to pigment load without making them actually thinner, if you get my meaning.

This allows me to mix grays by adding dilution solution to black and so my  go to ink is a black/dilution mix (1:3).  It’s still a very dark gray but not the hard black line of a true black ink.  Of course I’ve always got full strength black available too if I need it.  Having the two values is handy at times.

Another problem is getting a good brown.  Noodlers bullet proof browns all seem to dry in the nib, though you can add water to solve most of that problem.  But most brown inks are too red for my taste, even DeAtramentis Document Brown.  But, I can add some Document Black to the Brown and get a really nice brown/black that serves me well.

So that’s my ink story.  I’ve gone through several bottles of these inks so I feel confident in saying that they work well in all the pens I own (at least a dozen brands).  I’ve used these inks mostly on Arches, Fabriano Artistico, Stillman & Birn papers but also on all sorts of cheap papers with success. These inks work in my pens in spite of the fact that I rarely clean a pen (only if I’m changing colors or putting it away).  Give them a try if you haven’t already.

Sketching My Stuff

Yvan and Claudette came to visit this week and we spent the afternoon sketching my stuff.  I’ve got a bunch of stuff, mostly obtained at flea markets for purposes of drawing and we put some of it to good use.  As is too often the case, my hand was hurting me but we nevertheless had a great day.

Yvan drew the front of a plaster rabbit so I drew the back and found it hard to make the foreshortened ears sufficient to give the rabbit a real rabbit look.  Some views are better than others I suppose.  Claudette did a really great drawing of a large Japanese woman’s head and it turned out great.

Arches cold press, DeAtramentis Document Black,

We took a break, had coffee and the obligatory talk of drawing and watercolors.  We decided to draw something else.  I have two really nice Japanese figures that I’ve drawn several times and Yvan chose to draw the male figure so I grabbed the female (that didn’t come out right).  I’d never drawn her from behind so I decided to do so, drawing in pencil in a Stillman & Birn Nova.  In the end I wish I’d used ink but this is the result.

Stillman & Birn Nova, mechanical pencil (2B)

Some Fun Museum Sketching

I was at our civilisation museum the other day and my joints were bothering me.  It was hard to draw and, even more, it was hard to concentrate because of the pain.  But I sat, stared at, and drew an Inuit stone carving of an Inuit stalking a seal.  I loved how a complete scene was captured in the rock.