Gaining Inspiration And Trying Stuff

I do more sketching ‘off camera’ than I post on my blog.  I do these for a variety of reasons.  Most are done quickly for the simple reason that I need to draw something.  Sometimes I do them to try out a new pen or paint.  Sometimes they’re done to practice a technique, like the little gouache paintings I did a couple days ago (horrible by the way).

But sometimes, quite often actually, I draw something inspired by something I see on the internet.  Most I try to mimic the style of the artist in an attempt to walk a mile in their shoes.  Mostly this fails in a ways similar to me trying to walk in high heels, but these are also some of my favorite things to do as there’s absolutely no pretense that I’m creating something “from” myself.  It’s sort of an out of body experience.

I thought I’d share with you a bit of that stuff, with apologies to their real authors, the internet sketchers who share their work so we can appreciate, enjoy and maybe learn from them.  This first sheet is from a Canson XL multi-media (7×10) pad that sits next to my laptop.  It’s full of stuff like this.

The top right is from a set of fire hydrants drawn by Arlene from the Artist’s Journal Workshop.  She did a sketch of several very colorful hydrants and when I saw the yellow one with a lime green top I had to draw it.  I decided, however, to extend its top a bit, give it a head tilt of personality and I added a pair of eyes.  I was having fun.

I’m sad to say that I can’t remember who did the geranium plant but it was a very freehand version of one and so I followed suit.  Leaves and flowers randomly stuck on the page as I tried to turn a piece of paper real estate into a geranium.

The little landscape came from the background of one of those pesky ads that precede a YouTube video, with a lot of ‘it could look like this’ thrown in for good measure.

Lastly the lonely girl.  She was was from another commercial and standing on a street.

Erik Davis posted a sketch similar to this, saying he was trying something different.  I thought that a good idea so I followed suit.  It’s about 3×4.

If you’ve taken any of Liz Steel’s great courses you know that there are lots of things to copy and/or mimic.  While you’re supposed to be doing it ‘your way’, I often try to do it Liz’s way.  I’m rarely successful because her style is so much more loose and quick than my own.  It always feels good to me, however, so I’ll continue doing it.

This time it’s a sketch slightly in advance of her Watercolor on Location course that starts Sept 4th.  I’m signed up for it so I have access to the introductory lessons.  Liz’s sketch is somewhat more complete than mine.  Hers is also a LOT bigger than mine (mine is about 4×5).

Walking in the shoes of another artist is probably not for everyone but I find it very informative.  It makes me appreciate even more how special their art work is and I think I learn quite a lot from doing it.  Doing this also causes one to understand that you  can’t precisely walk in another artist’s shoes.  It’s more like walking in high heels if you’re an old man.  But give it a try.  You might like it.

 

 

Cap Rouge Marina Sketching

We were at the Cap Rouge Marina last Sunday and it was a wonderful day, though a bit on the warm side.  I relish the heat, partly because I’m from Arizona and partly because I know that all too soon we’ll be back in heavy coats and complaining about winter.

I was in the mood to draw rocks and found a bunch of them on the other side of the mouth of the river that flows into the marina and out into the St. Lawrence.

When I finished I walked down to where some other people were sketching and I started sketching a sailboat that was moored on the ‘flats’, which turns into a giant grassland at low tide.  I’d just gotten started when it was announced that it was time to gather for lunch.  I share it in its unfinished state as I never got back to it.  By the time lunch was over the boat was laying on its side in a sea of grass, waiting for the tide to come back in.

After lunch I walked to the other side of the marina and drew this scene, that is looking across the marina.  By then it was blisteringly hot and I cooked on my tripod stool for the duration of the drawing.  It was an end of a great day and, once again, I owe Denise a big thank you for organizing the event.

Stillman & Birn Beta (8×10), DeAtramentis Document brn/blk, Daniel Smith watercolors

Are You Afraid Of Clowns?

Many people are afraid of clowns for some reason.  They might be scared to death if they walk down rue St. Paul in the old port area of Quebec City because, between two buildings there is a humongous inflatable clown head scrunged between the two walls.  I think it’s cute but it could also be scary, depending upon your point of view.  I had to draw it.

Stillman & Birn Alpha (4×6), DeAtramentis Document Black, Wing Sung 8009, Platinum brush pen

Our New Cow

My wife is a gardener and she loves to visit garden centers.  She was doing just that a couple weeks ago and they were having a big sale.  She came home with a car full of plants and a plaster garden cow that, to me, looks like a sheep with horns.  I think it’s the stone fur that does it.  In any case, it’s cute as can be so I drew it.

Stillman & Birn Beta (8×10 softcover), Platinum Carbon Black, Platinum Plaisir

Doodling Near The Train Station

I was sitting in the park in front of our train station, just enjoying the light water spray from the fountain there.  It was a beautiful day and I’d been out doing my walking exercise.

I love the train station and have drawn it several times but never from this angle through the trees.  As it turns out I drew it a bit wider than it actually is but she’s still a stately building even if I gave her a bit more weight.