What I Do When I’m Not Sketching

I had coffee with a friend today.  He asked me if I’d been sketching.  I said, not since Monday morning when I went to a restaurant to sketch with friends.  I said that I’d been too busy with life stuff, including a trip to the doctor.  We moved on to other topics.

On my walk home, however, my two remaining neurons fired over this statement.  I thought about it and smiled.  We all have definitions of ‘sketching’ and, I guess, mine is that a sketch is something that I’ll post somewhere on the Internet and I hadn’t done any of those since Monday morning and I was talking to my friend on Thursday morning.   As George Takei is fond of saying “Oh my….”

It occurred to me that people who follow sketching forums get a glimpse of what we sketchers do and that this glimpse is false.  It’s false because we sketchers are picking and choosing what we post.  What gets left out are, obviously, the really bad screw ups.  BUT, at least for me, I rarely post any of the constant stream of quick sketches that I do every day, all the time, in a cheap notebook that I buy at the dollar store.

At the risk of embarrassment, I thought I’d give you a different ‘glimpse’ of what I do as a sketcher.  What follows are the pages from that notebook that I’ve doodled on over the past three days where I was “too busy” to sketch.  They were done while watching the news, watching a YouTube video, at the doctor’s office, and during the round trip to and from there.  I apologize for the poor scans as I did these quickly and the paper is thin/cheap.  There’s some ghosting and maybe some bleed through.  Afterall, “it’s just a sketch” (oh how I hate that phrase).

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I hope you didn’t laugh too loud and that my already lowly reputation as a sketcher hasn’t been impacted too much.  Hand-eye coordination and the ability to ‘see’ come from continuous (incessant?) practice.  I’m always surprised at how many seem to have a hard time finding “time” to sketch as these couple dozen sketches were done over three days when I was ‘too busy’ to sketch.

Muffin And Coffee At The Cafe Supreme

We had a mild day (it wasn’t windy) and so I thought I should take advantage of that fact and headed off for a long, very long walk.  It was 5F.  I walked to a mall that was a considerable distance away, the plan being that I’d hop a bus to get back.

The walk was fun and with my big fur-lined hat with flaps (the proverbial anti-chic magnet) and a coat that is heavy enough to be used as an anchor, I was toasty warm.  When I arrived at the mall, I decided to reward myself for my effort with a tasty muffin and a cup of coffee.

I thought about the Pat Ng and Liz Steel approach to restaurant drawing and decided that I would draw the sign for the Cafe Supreme before ordering.  So I sat down and did just that.  Then I got my muffin and coffee and, in spite of temptation, they remained intact while I drew them.

Stillman & Birn Alpha (4x6), TWSBI Mini, Platinum Carbon Black ink

Stillman & Birn Alpha (4×6), TWSBI Mini, Platinum Carbon Black ink

The coffee hadn’t even cooled; my approach was going well.  So, with a mouth full of muffin and a swig of coffee, I started drawing a portion of Cafe Supreme itself.  A bright red coat, wrapped around a woman walked up and started to order so I drew it, put a head and legs on it.  There need to be more red coats in our world.  I finished up by drawing the bits and pieces that make Cafe Supreme the place it is.  Winter sketching is sure different, but it’s fun too.

 

More Museum Sketching

I’m settling into a winter sketching regime which means I’m becoming a regular at Quebec’s Musee de la Civilisation  again.   I made over 50 museum visits last year and it’s likely I’ll do the same this year.  This day, I was with my new buddy, Fernande and we had a good time sketching in the Paris exhibition.  We followed up with a celebratory tea in Cafe 47, the museum cafeteria.

I nearly went cross-eyed trying to do a ‘proper’ drawing of this Delizy Brassart bicycle, which dates to 1889.  I was particularly interested in getting the frame organization ‘right’ as it’s very unique, with the crank being bolted on below the actual bicycle frame instead of being an integral part of it.  The solid rubber tires and carbide light are also very interesting.  Bicycling was a big deal at the turn of the century, with many innovations, the first Tour de France, and women wore bloomers so they could ride, showing off their ankles.  Ooo la la!

Stillman & Birn Zeta (6x9), TWSBI Mini with Platinum Carbon Black ink

Stillman & Birn Zeta (6×9) sketchbook, TWSBI Mini with Platinum Carbon Black ink

I thought I should draw something a bit easier after that so I chose this vase with stopper.  Pretty little thing and, I fear, I didn’t do it justice.  I used a Uniball UM-151 brown-black pen to do the brown markings on the vase, which worked better than I thought it would.

Stillman & Birn Zeta (6x9) sketchbook, TWSBI Mini w/Platinum Carbon Black ink

Stillman & Birn Zeta (6×9) sketchbook, TWSBI Mini w/Platinum Carbon Black ink

One thing about museum visits is that they challenge me to draw things I might not otherwise draw.  It really helps and there’s nothing better than a museum atmosphere to stimulate the creative neurons.

 

My First “Painting”

If you follow my posts you know that I’m a pen driver.  I draw a bunch of lines, hope they look like something and then, if I want to add color, I generally just ‘fill in’ the various pieces, using watercolors like crayons.

But I thought it was time to do a “painting.”  I’m not really sure when a sketch becomes a painting or whether you have to approach things very differently to create a painting.  Seems to me like it’s more the later than former so that’s what I did….that different thing.

We’d just gotten some snow and I was out walking, saw a “winter scene” to my liking and took a quick snapshot of it.  When I got home I took a 5×7 sheet of Fabriano Artistico “Extra White” cold press paper, and I made a few marks to indicate a horizon and the verticals for my fire hydrant.  Ya gotta have fire hydrants in paintings don’t you?  I do.

2013-11-27Hydrant_72Then, with considerable intrepidation, I started applying paint roughing out the tree and hydrant in light color.  Once I knew their ultimate shape I increased the color until it was mostly as you see it here.  Then I added a bit of ink just to emphasize things a bit.  I don’t know if this is an example of my demonstrating a willingness to learn new tricks or that I have no shame in posting my first painting.  Either way, here it is.

 

Drink And Sketch, Drink And Sketch

On my way back from a discussion with a bank manager I stopped into a place for a cup of tea and the possibility of sketching an interior scene.  It wasn’t the Taj Mahal but what the heck, it was great practice.  Here’s the result, done in a Stillman & Birn (4×6) Alpha sketchbook.  I used a TWSBI Mini as my pointy device.

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While the counters, coffee and tea didn’t move, the people did as one after the other, a person came to the counter, paid for something, and left.  I’ve been asked several times about how I set up a sketch like this and I thought it might be time to oblige.

It’s fashionable in internet-land to proudly state that one doesn’t use pencil.  Ink is the only way to go.  Well, I’m an ink guy and most of my sketching is done in ink.  But I’ve also learned that laying down a few bones beforehand allows me to concentrate on the drawing of each section of a sketch and prevents my ideas from running off the page.

2013-11-20PicardieSillery_layourSo, I start with a pencil, a 3H pencil to be exact.  I draw lines to represent the major vertical and horizontal components.  I’ve indicated the pencil work for this sketch in red.  Once done, I can look at the paper space and compare it to the scene, ensuring that things are going in the right direction.  Note how few lines are actually required.  This is not drawing; it’s organization.

In this case I also wanted to place a person and I could use counter height and the verticals to locate her.  I’ve indicated three small pencil lines in yellow that define the top of her head, her shoulders as well as the bottom of ‘her’ coat.  The reality is that the coat was drawn mostly from the first customer but also the second, who contributed the legs/shoes.  A third provided the head, but as I had these little lines in place, it was easy to cobble together a person for my scene.  Given how light the pencil lines are, I rarely see a need to erase them when I finish so no eraser was harmed in the creation of this sketch.

Could I do this with dots from a pen?  Sure.  When I did Brenda Swenson’s 75-Day Challenge (limits you to ink only) that’s exactly what I did.  But it’s far easier to see the scene structure with some lines than with a few dots and a .5mm pencil isn’t that heavy so I carry one for this purpose.  Besides, if layout underpinnings was good enough for the master artists of the 18th and 19th Century, why shouldn’t it be good enough for me (grin)?

2013-11-21Brulerie3rdAve_72The next day I was meeting a friend for tea at one of my favorite haunts and this guy, all scrunched down in his chair caught my eye.  I sketched him and then just kept going, ending up with this scene.