The Saga Of A Sunday Sketchcrawl

Posted on November 17, 2016 by Larry Marshall

Last Sunday was our monthly sketchcrawl. We were to meet at a historic house, the Maison Alphonse-Dejardins, on the south shore of the St. Lawrence River in Levis. I was excited to visit the place and thankful that Yvan had arranged for us to sketch there.

Early Sunday morning, I set out on a walk to the ferry that took me just a bit less than an hour. The ferry took 10-15 minutes to cross and then I had to climb a cliff (a gazillion stair steps are provided) and then into the older part of Levis where the house resides. I was there at 10AM. The air was crisp, which is a fancy way of saying I was glad I was wearing gloves, but I knew that people would be showing up soon.

But they didn’t. Nobody came. In fact, the house itself was dark. I began to wonder if I’d written the date wrong. Cell phones are handy at such times and the website announcement made clear my error. Because of the house’s Sunday schedule, it didn’t open until the afternoon so the sketchcrawl was scheduled for 1PM. @#%$!!

And so I walked to the stairs, descended the cliff and walked to the ferry. I crossed the St. Lawrence and walked home. I didn’t do the math, though, and when I arrived at home I realized that to get back to Levis by 1PM, I’d have to leave in… about 10 minutes [sigh].

I gave some thought to not returning but being the devoted sketcher (or fool – you decide) I put my coat back on and headed out the door…to walk an hour, take the ferry, climb the cliff, and make my way to the house. I made it but since I’d been on the move from 8:30 to 13:00, I was exhausted and wasn’t much in the mood to sketch. I just wanted to sit down.

The house, though, is sketcher heaven if you like sketching items you’d find in a Victorian house. It’s a place I’ll be going to several times this winter for just that reason. But on this day I found myself in the kitchen and in one corner there was a wooden, hand-agitated washing machine. It had been semi-restored as a display piece but the staves that made the body of the machine had been glued together and the metal bands that would normally hold everything together were placed, somewhat askew, just for show.

I couldn’t look at it without seeing it as a cartoon and so, channeling Gary Larsen as best I could, I drew it as such. It’s not my best work but I had fun doing it which is my criterion for success. And I only had one more trip between the Maison Alphonse-Dejardins and my place. I went to bed early that night.

Off To Sketcher Museum Land

Posted on November 14, 2016 by Larry Marshall

While our Museum of Civilization doesn’t have much to offer a sketcher this winter, it is pretty much the only game in town so a group of us were there, trying to take stock of sketching subjects for winter.

I’ve decided that I will sketch a bunch of the Inuit soapstone carvings because 1) they are available and 2) they offer lots of compound curves and soft edges to challenge my drawing skill. Hopefully I’ll get better at them but until then, here are a couple that I did on Thursday. Stillman & Birn Alpha (5.5×8.5) softcover.

This is an Inuit hunter, hiding behind a hide-covered shield, trying to sneak up on a seal.

This one speaks volumes of the rigors of living in the extreme north. This woman, wearing parka and gloves is shown giving birth. That's tough work if ever I've seen it.

This one speaks volumes about the rigors of living in the extreme north. This woman, wearing a parka and gloves is shown giving birth. That’s tough work if ever I’ve seen it.

Trying To Sketch Cirque D’Soleil Wannabes

Posted on November 8, 2016 by Larry Marshall

[Note: I wrote this last week and forgot to push the “publish” button. Here it is, albeit it’s a bit of old news]

Once a year I have a very humbling sketching experience. Actually, I have a lot of those but this annual event is particularly impactful. A group of us go to the local École de Cirque, a circus school in an old church, to sketch the circus students while they practice. Quite separate from sketching, it’s a very exciting time because the main hall is full of trampolines, trapezes, and open areas where these very talented people practice their trade. If nothing else it informs your brain that hard work is the road to being “talented.”

Done with Lamy ink, melted with a waterbrush. These were 'warm ups' before we actually entererd the hall.

Done with Lamy ink, melted with a waterbrush. These were ‘warm ups’ done before we actually entererd the hall.

For me to begin sketching at the École de Cirque is hard for two reasons. The first is that I’m simply mesmerized by what is before me. There was a juggler who was balancing a ring on his head while juggling several other rings, passing smaller ones through the ring on his head as he juggled. He was amazing.

The other reason I have a hard time is that it’s just soooooo hard. I’m not good at sketching people anyway, but I can hold my own when sketching people who are sitting or standing and I even have a good chance at capturing people wandering around in a shopping center. In all these cases, though, I have points of reference. Feet on the ground, heads above feet… at least that. But in the case of circus performers I don’t even have that and I get very confused, very quickly.

I switched to a Duke 209 (fude pen) and waterproof ink. I struggle with fude pens but wanted to give them another try. Color was added after the fact and in somewhat haphazard fashion I confess.

There’s another thing and I wonder if I’m the only one who struggles with this. I can’t convince my brain that I actually have time to sketch these people. My brain seems to decide that if I can’t do the sketch in 10-15 seconds, I can’t do a sketch, which is untrue, even with the performers moving around so much. But my brain directs me to give up completely on size and proportion estimation and to just start scribbling – the end result being people that look like space aliens or melted people. I’m sharing some of these with you as an example of poor sketches that were a lot of fun to do. Too often I think fun and product get tied too closely together by many. They have nothing to do with one another.

Stillman & Birn Alpha softcover (5.5x8.5) sketchbook was used for all these sketches. I really love this format for doing this sort of sketching

Stillman & Birn Alpha softcover (5.5×8.5) sketchbook was used for all these sketches. I really love this format for doing this sort of sketching.

Somehow, during the page above I decided that a divide and conquer strategy was in order, or maybe I was just fascinated how the well-muscled athletes provided a great opportunity to do “life drawing” while muscles were being exercised. That turned out to be a lot of fun.

In the end, I had a bunch of sketchbook pages and memories. Memories of how amazing these people were; memories of how hard it was for me to draw them, and memories of how much fun sketching is even if it’s not going as well as I’d like. I thought it only fitting for me to share these pages with you. I hope all of you are saying “I can do better than that” (grin)

Are Sketching Doldrums A Thing?

Posted on October 31, 2016 by Larry Marshall

Every November I go through a down period when it comes to sketching. It’s sort of like I’ve got the clutch disengaged as I change gears. In the meantime my brain is spinning in neutral. My daily outdoor sketching routine comes to an end and I’m waffling around, trying to figure out how I’m going to survive the winter as a sketcher in Quebec City. This year is particularly bad because out provincial ‘austerity’ plan has gutted the budgets of the few local museums in Quebec City and so my typical winter haunts are nearly barren.

But I did meet our tiny group at the main library and we sketched one morning last week so I’ll share those little sketches with you. All were done in my tiny Stillman & Birn Alpha (3.5×5.5) softcover sketchbook.

The sketch on the left was the last outdoor sketch I did this year. I was leaning against a wall, trying to keep warm and I drew very quickly, but not quick enough as I gave up before I could start adding any details to it. It’s here only because it’s on the same spread as the sketch on the right which was the first sketch I did at the library. From the 2nd floor of the library you can see this building across the street.

When I finished I went hunting for my fellow sketchers and found them sketching a display in the kid book section. This winter will see me doing a lot of these quick sketches of people. Maybe, with the help of recent books by Pete Scully and Lynne Chapman I’ll figure out how to do them better.

When I finished with those sketches I went looking for a third member of our group and found her upstairs, sketching the street below. She was near to finishing and we were all going to meet for an early lunch, so I quickly did a few more real quick sketches of people who were reading. Here’s two of them.

As I’ve suggested, I’m not sure where my sketching will go this winter. There are several things I’d like to work on this winter and, I suppose, I’ll be doing a bunch of ‘studio’ sketching this winter. Wish I had a studio (grin).

Sketching A Mineral Display

Posted on October 25, 2016 by Larry Marshall

We’re entering sketching winter in Quebec City. This is when the notion of street sketching is absurd and so we’ve got to start looking for hard to find indoor locations to feed our urges to put pen to paper.

I got an email from Claudette telling me about permission she obtained for us to sketch a rock display in the lobby of one of the government buildings. My initial reaction was “huh?” and an assumption that I didn’t understand the French (my default reaction to most things because it is generally true). I love drawing rock cliffs and even piles of rocks but a geologic display of rocks? Didn’t make sense.

I almost didn’t go but I’m glad I did as it was a lot more fun than I thought it would be. Besides it was warm inside and raining outside. During the morning session I drew three rocks, a green one, an almost clear one, and a yellow one. I’d give you more details about these minerals but that’s all I know. Geology is not my thing. The results aren’t great art but they do represent a lot of fun and I’d love to have another shot at drawing some of these unique and complex shapes.

Stillman & Birn Alpha (5.5x8.5), Platinum 3776

Stillman & Birn Alpha (5.5×8.5), Platinum 3776