Sketching In St. Vallier

Last Wednesday several of us drove to St. Vallier at the invitation of Louise Denault, one of our sketching buddies.  This was very exciting because St. Vallier is a beautiful place, with a wide variety of sketching locations.

4x6 toned paper, Platinum Carbon pen, Platinum Carbon Black ink

4×6 toned paper, Platinum Carbon pen, Platinum Carbon Black ink

I took advantage of the fact that, for once, I wasn’t driving and so I did some quick sketches along the way.  The bumps in the road added to the scribbly nature of the sketches but it was fun anyway.

We picked up Louise at her house and headed to a side road overlooking the valley and its agricultural fields.  Everyone set up next to a wheat field with the expanse of the valley behind it, but I walked down the road to sketch an outbuilding I’d seen as we arrived.

outbuilding in St. Vallier, QC

Stillman & Birn Beta (6×9), Namiki Falcon, De Atramentis Document Black

Claudette and Louise came to where I was sketching just as I was finishing and we walked back to the group together.  It had been determined that it was time for lunch and that we would head back to Louise’s house for lunch.

As everyone else was packing up I looked out at the valley and decided it would be an opportunity to do another one of those one-line sketch drawings and so I did one.  I did ‘cheat’ a bit and lifted my pen a couple times to keep the drawing a bit cleaner, but by the time everyone was packed I’d done the sketch, added some darks, and was slopping paint on the piece of cheap Bristol on which I did it.  I mention this last thing because it was a mistake.  I thought I’d grabbed a piece of watercolor paper but instead I was trying to herd water on a piece of slippery, coated paper and I was using a waterbrush to do it.  That was exciting.  But this was a few minutes of fun and the result isn’t horrible (grin).

6x9 Bristol paper, Namiki Falcon, De Atramentis Document Black

6×9 Bristol paper, Namiki Falcon, De Atramentis Document Black

Lunch was to die for, and if I’d eaten one more bite that might have happened.  Louise provided quite a spread, with a beautiful salad, lots of cheeses, smoked sturgeon, quiche, baguettes, and wine… lots of wine.  I was stuffed.  And then Louise mentioned the pies…two pies.  And, of course, we had to try both of them 🙂

Louise’s house is amazing but it’s the backyard, with its gardens, gazebo and view of the St. Lawrence that is the real jewel and we were eating in said gazebo.  I’m used to a protein bar and a coffee when I go sketching.   This was different, a really good kind of different 🙂

And now that we were done with lunch, it was time to get out sketching again.  So, barely able to move, I left the gazebo completely delier, my new French word for the day.  It means to be loosened up, and boy, was I loose.  Any looser and I would’ve fallen down.  I needed a nap.

Off we went, to a small nature park not far from St. Vallier.  It was a parking lot, picnic tables, some trails and a gazebo set up for bird watching along the coast.  Most of us decided to draw the gazebo.  Here’s mine.

gazebo near riviere Boyer

Stillman & Birn Beta (6×9), Namiki Falcon, De Atramentis Document Black

It was a great day but by then we were all pretty worn out and called it a day.  Thanks to Louise for all her hospitality, her zucchinis, and that fantastic lunch.

Wedded Sketching Bliss

My wife and I have been together for nearly 30 years and married for 28 of them.  There have been a lot of potholes on our road through life but I can count on one hand the number of big arguments we’ve had.  It’s uncanny as I’m impossible to live with – at least I couldn’t do it.

But last week we went sketching together.  It’s not the first time but it hasn’t been a regular event either.  We put together picnic food and headed to the Plains of Abraham to sit in the shade and enjoy a perfect day.  It was a glorious day.

Stillman & Birn Beta (10x7), Namiki Falcon, De Atramentis Document Black

Stillman & Birn Alpha (10×7), Namiki Falcon, De Atramentis Document Black

I drew a tree.  It’s clear that I need more experience sketching trees.  Still, it was fun and my wife was drawing a tree while sitting right next to me.  Life was sweet.

Then it was lunch time and we chatted, watched squirrels and talked about sketching.  What more could a guy want in life?  Besides, the cheese and baguette were great.

We only had 25 minutes left on our parking time (grrr…grumble), so we decided to do another sketch.  I wandered around a bit while she sat down to draw.  I decided on this scene and rushed it a bit to fit it into the time frame and think I might return with more time and bigger sketchbook.  This was done in a 3×5 Moleskine watercolor book.

2015-08-21PlainsAbraham2

 

Standing On The Corner…

Standing on the corner…
    …watching all the girls go by. — Four Lads

I’m old enough to remember a time before rock-n-roll.  It was an era between big band music and Elvis Presley, where pop music came either from crooners or quartets of men or women.  Lyrics were silly, but happy.  Melodies simple and memorable.  When I was a kid there was a song, Standing on the Corner, whose melody caught the attention of this kid.  I must have been six or seven.

As an old sketcher I was standing on a corner and I suppose there were girls walking by, but what I noticed was the light pole and the block wall next to it.  In the background and up the street a bit is where Rene Levesque lived, undoubtedly the best known and most beloved of Quebec’s Premiers.  I did this quick drawing of the scene.

Stillman & BIrn Beta (6x9), Namika Falcon, De Atramentis Document Black

 

Sitting In The Morning Sun…

“I’m just sittin’ on the dock of the bay
Wastin’ time” – Otis Redding

I had to meet some people in front of the Notre Dame cathedral and there’s a tiny park in front of it, which is where I was, with some time to kill.

Since becoming a sketcher I rarely ‘kill time.’  These interludes between the activities of life are sketching opportunities for me, whether it be waiting in a doctor’s office or waiting for a friend to show up.

And there I was, on a sunny morning, sitting on a bench, with a book statue looking down on me.  What’s a guy to do.  I got out my Moleskine watercolor book.  I hadn’t used it in a long time for some reason but it seemed just right for this little sketch.

Moleskine watercolor book (3x5), Namiki Falcon, De Atramentis Document Black

Moleskine watercolor book (3×5), Namiki Falcon, De Atramentis Document Black

I Don’t Do Portraits

Oops…I guess I do.

One thing the art world has taught me is that I don’t have the “people are interesting to look at” gene.  While everyone else attends life drawing classes and draws portrait after portrait, I prefer to draw fire hydrants, buildings and telephone poles.  I don’t know why but if I were to rank sketching subjects, people would be at the bottom of my list.

BUT, sketching a person walking by a fire hydrant, that’s an interesting idea and so I spend a fair amount of time doing quick, loose sketches of people.

Yet another BUT is that I’ve come to realize that being able to draw a likeness can get you into places.  My buddy, Yvan, is always drawing people and because of it people in groups immediately understand him and what he does.  It’s harder to comprehend a fire hydrant sketcher.

Canson Mi-Teintes (5x7) using a Col-Erase pencil. Very hard to get darks

Also, to me, there are several “core” skills that make up drawing.  These are 1) the ability to measure/estimate angles and proportions, 2) achieve accuracy of line and form, and 3) mastery over whatever materials you’re using.  I’ve spent the last 3 1/2 years, starting out trying to draw cubes, with a rather myopic “gotta learn those things” approach.  I’m getting so that my ability to assess angles and proportions is becoming a feature, not a liability in my sketching, and I’m ok with pushing my fountain pen around (watercolor is another matter).

Canson Mi-Teintes (5x7), Namiki Falcon, De Atramentis Document Black - This is tough with pen but I barely know which end of a pencil to put to paper.

Canson Mi-Teintes (5×7), Namiki Falcon, De Atramentis Document Black – This is tough with pen but I barely know which end of a pencil to put to paper.

It seems, however, that fire hydrant drawing can only take you so far when trying to learn form and accuracy and so I’ve spent a lot of time in museums, drawing all sorts of stuff that I would never “choose” to draw, all in the name of improving my accuracy, ability to see half-tones, and the rest.  I figure I only have another 40-50 years of doing it and I’ll have it figured out.  By the age of 115, I might be able to call myself “artist.”

All of that is to say that I’m even drawing portraits… kinda.  I head to a local park every Thursday night, where a small group sits on the porch of a small chapel and we sketch one another, during 20-minute poses.  I’ve never mentioned it before because… well, I’m pretty bad at it.  I thought, however, I would share a couple of the sketches I’ve done recently, just to change things up here just a bit.  It’s ok to laugh.

Canson Mi-Teintes (5x7), Namiki Falcon, De Atramentis Document Black - I'm really lost when it comes to hatching really light shades that are the form of the face.

Canson Mi-Teintes (5×7), Namiki Falcon, De Atramentis Document Black – I’m really lost when it comes to hatching really light shades that are the form of the face.