A Grand Day Out: Sketching With Others

GrandDayOutMy favorite Wallace and Gromit film is A Grand Day Out.  In it, Wallace finds that while he has crackers, he has run out of cheese.  Of course, that means he and his dog Gromit need to go to the moon to get some more, as everyone knows the moon is made of cheese.  Gromit builds a rocket and they head off to find some cheese.

Yesterday I was reminded of A Grand Day Out because I had one in the form of Quebec City’s version of the 42nd Worldwide Sketchcrawl.  We’ve held several of these and while it’s hard to do when it’s -25C, we do what we can to bring people together.

This sketchcrawl was held at the Musée de la Civilisation.  This museum is a very welcoming and accommodating place and it’s ideal for such an event.  As with all of our sketchcrawls, this one was organized by Yvan Breton and Celine Poulin.  One of my sketching buddies, Claudette Gauvreau, deserves some credit as well as she used her infectious laugh and sociability to convince several of her friends to join us.

Just beginning to gather in the lunch area. Hard choice between talking and eating being made by many

Just beginning to gather in the lunch area. Hard choice between talking and eating being made by many

And what an event it was.  We had a couple DOZEN people at this event.  I emphasize the word dozen as when you can start counting participants in ‘dozens’ it’s sort of like being old enough to talk about how many decades you’ve been alive.  And dozens we had, at least 24 people and while it was hard to get an accurate count, I think it was more.  What I do know is that I found it impossible to remember the names of all the people I met for the first time.  But I’ll always remember the smiles on their faces.

And did we have fun.  The one downside of a museum sketchcrawl is documentation as they frown on photography in the exhibit areas (click on image to get a larger image).  What I can tell you is that from 10AM until 12:30 there were sketchers everywhere you looked and it was quite exciting.  Some people were surprised by how relaxed the atmosphere was and how “non-competitive” we were.  You can tell ‘serious’ artists about this difference between sketching and fine art but until they experience group sketching on location, it’s hard to understand it.

Looking at sketchbooks, laughing and enjoying one another's company

Looking at sketchbooks, laughing and enjoying one another’s company

A group admiring Jacques Paquet's sketch box

A group admiring Jacques Paquet’s sketch box

 

 

 

 

 

 

 

At 12:30 we gathered in a basement area to eat lunch and kibbitz about sketching, pens, watercolors, and to share our sketchbooks.  I’m not sure we ever had everyone in one place so I can’t show you the typical ‘the gang’ photo but here are a few clusters of people and even a few sketches I managed to snap a photo of as they were laid out by some of the participants.

I found it hard to get photos of other people’s sketches because everyone was having so much fun flipping through everyone else’s sketchbooks.  Pictures come second to fun in my book but I did manage to get these few snapshots.

Guylaine Côté's bicycle.  Love this view.

Guylaine Côté’s bicycle. Love this view.

Celine (top) and Pierre's (bottom) sketches

Celine (top) and Pierre’s (bottom) sketches

Group of sketches

Group of sketches

 

 

 

 

 

 

 

 

 

After lunch, and after we couldn’t talk any more, most of us headed back out to sketch.  We lost a few of our participants as they had afternoon appointments elsewhere.  Once again we invaded the exhibits like ants on a sugar cube and while we were having fun, we were also becoming part of the exhibits, as folks were looking over our shoulders and saying nice things.  Location sketching is good for the ego.

We wrapped up around 3PM, most of us quite tired but also exhilarated by the day’s activities.  I’m still walking a foot or so above the ground.  Did I mention we had a COUPLE DOZEN participants?

Oh…I did a bit of sketching myself, though not as much as some.  And I did have the ability to scan them.  Here are my sketches from the day.  It was definitely a Grand Day Out.

I saw this drum display as an opportunity to practice orienting ellipses as each drum was positioned differently.  Stillman & Birn Zeta (6x9), Wahl-Eversharp pen, Lexington Gray ink

I saw this drum display as an opportunity to practice orienting ellipses as each drum was positioned differently. Stillman & Birn Zeta (6×9), Wahl-Eversharp pen, Lexington Gray ink

 

These were part of a large poster of clown caricatures and I thought it might be fun to draw a few of them.  It was.  Stillman & Birn Zeta (6x9), Wahl-Eversharp pen, Lexington Gray

These were part of a large poster of clown caricatures and I thought it might be fun to draw a few of them. It was. Stillman & Birn Zeta (6×9), Wahl-Eversharp pen, Lexington Gray

You can find many more photos and sketches on the Worldwide Sketchcrawl site.

A Walk With The Gods

The search for places to sketch in winter is continual here in Quebec City, so when Yvan said “Why don’t we go to Pavillion Laurentienne to sketch?” everyone immediately responded with “Sure!”  Only later did we ask “What is Pavillion Laurentienne and what can we sketch there?”

Pavillion Laurentienne, as it turns out, is a relatively new building on the Université Laval campus.  It’s used for conferences and larger meetings.  What’s interesting about it is that it’s got a very large lobby area with a bunch of large plaster casts of statues that live in Europe somewhere.  Another way of looking at them is that they’re big white naked people, though one of them, out of modesty no doubt. has a small sheep wrapped around his shoulders.

Yvan got permission for our motley crew to show up today to sketch.  Sunday is certainly the day to go as except for the security guard, we were there alone, hanging out with the white naked people.  It was a very meditative atmosphere.

Here’s a loose sketch of part of the lobby area.  I did all these sketches on Canson Ingres papers that seems ideal for pen and ink drawing, though it’s too thin for watercolor.

2014-01-18PavLaurentienne0_72Sketching statues is certainly not my forté  but I sure had fun today.  This guy’s name is Marcellus, though he and I never had a real conversation.  His neck isn’t really that long – I was being “artistic,” I guess (grin).

2014-01-19PavLaurentienneI was getting a bit tired at this point, so I had some coffee and some great conversation.  I decided to draw an arm and, I’m afraid, I worked one beat too fast and the poor guy’s hand looks like it went through a meat grinder, though in this case I guess it would have to be a plaster grinder.  In any case, the result left something to be desired, as did my second, hand attempt.  I guess I was just tired from trying to keep my gut sucked in around these well-muscled white guys.

2014-01-19PavLaurentienne2All of these sketches were done with a Pilot Prera with either J.Herbin Lie de thé or Noodlers Lexington Gray ink.   As we left for the day most of us agreed that we’d have to come back.

 

 

 

 

 

 

Sketching The January Thaw

Like much of North America, we experienced very cold temperatures for a few days.  Following that, however, we’ve experienced weather that made it seem like May here in Quebec City.  It rained, it got warmer (40F a couple days).  Excepting this has turned all of Quebec City into a lumpy skating rink, it’s been wonderful.

I was supposed to meet Claudette at a cafe for our weekly sketching session and I arrived about 10-15 minutes ahead of her.  Rather than going inside, I found a place to stand out of the light rain that was falling and drew the exterior of the cafe.  When she arrived we went inside and I added color to my sketch and added some other ‘stuff’ to the page.  Done in a Stillman & Birn Alpha (4×6) with a Pilot Prera.

2014-01-14Bonnetd'Ange_72While Claudette was finishing up a sketch I looked outside and saw this lonely street lamp, its feet stuck in heavy, dirty snow and it’s head bent over as a response to the rain.  It seemed so forlorn so I sketched it.  This was done in my el cheapo 3×5 notebook.

2014-01-14rueStJean2We finished up and Claudette and I headed off in different directions.  I walked down St. Jean street, heading towards the old city and it was wonderful.  The rain had become nearly a mist and it was warm enough that I could actually remove my gloves.  I saw that as a ‘sign’ and as I walked past this building, with its amazing roof, I ducked into a little alcove out of the rain and did this quick sketch of it in my S&B Alpha (4×6).  I added the color to this little sketch when I got home but, for me, this sketch was pretty special as the winter cold has prevented me from sketching outdoors.  It was, indeed, a great day.

2014-01-14rueStJean

Sketching At Paillard In Quebec City

2013-10-10Gallerie_colorThe first restaurant I sketched was the new Paillard in one of the Quebec City Malls.  You can read about it in a post about the brown-paper sketchbook, if you like.  This one has few walls and I sketched it while standing outside the restaurant.

But there’s another Paillard that is more famous, if restaurant fame is measured by being part of tourist’s agenda items when they visit Quebec City.  logo-paillardThis one, the original Paillard, is in downtown Quebec City, the “old” city, on rue St. Jean.  This is not a really old cafe where poetry was read and music played in the 60s like Chez Temporel.  In fact, when I came to Quebec City long ago to do a post-doctoral fellowship, the location of Paillard was a grocery store ‘down the street’ from my apartment and I shopped there regularly.

But in the intervening years I moved away and Paillard took the place of the grocery store. It has become a ‘hot spot’ for tourists.  It’s a large, brightly-lit and roomy melange of a bakery and a café.  Their pastries are wonderful but the real star is their frothy coffee drinks, including one of my favorites, the bol de café au lait.  I’m mostly ignorant of differences between latte, cappuccino, and the other frothy drinks are but in the case of café au lait  I think it’s heaven.  While I normally drink my coffee black, I’ll break with tradition for a bol de café au lait.  It’s strong coffee with lots of frothy milk added to it and I add a bit of brown sugar to the mix.  But it’s the bol part of the equation that’s important…it comes in a soup bowl so you get a lot of it.

I’m rambling.  Sorry.  Claudette and I went to sketch Paillard the other day and we had a great time.  I got my bol de café au lait and a muffin.  She was less of a cochon (pig) and got a regular café au lait.  We were there early and pretty much had the place to ourselves.  There were a couple people sitting behind me and Claudette started sketching them.  With no people in my sight line I drew food and chairs and tables.  Ultimately I did quickly sketch a woman who was ordering something, maybe her own bol de café au lait .  Here is my tribute to Paillard.

Stillman & Birn Alpha (4x6), TWSBI MIni, Platinum Carbon Black

Stillman & Birn Alpha (4×6), TWSBI MIni, Platinum Carbon Black

Sketching The Past – Episode 3

I have a soft spot in my heart for trolleys.  Most often they were red, with bells that clanged to warn people of their arrival.  What’s not to like.  Unfortunately, by the time I was deposited on this Earth, they were disappearing from the landscape and I never got to see any of them in their native environment.  Maybe I should have gotten to San Francisco.

There used to be a lot of trolleys in Quebec City but the only evidence of them these days are long, low viaduct streets that allowed them climb the steep hill upon which sits “vieux Quebec”, the tourist money-maker and my favorite place.

So, this episode of Sketch the Past is a Quebec City trolley as it ran down rue St. Joseph back in 1947.  Hope you like it.

Stillman & Birn Alpha (9x6), TWSBI MIni, Platinum Carbon Black

Stillman & Birn Alpha (9×6), TWSBI MIni, Platinum Carbon Black