Stillman & Birn’s New Softcover Sketchbooks

I wrote my first blog post about Stillman & Birn sketchbooks at the end of 2011.  Back then I was a newbie sketcher, struggling to find the ‘perfect’ sketchbook.  At the same time, Stillman & Birn had only recently released a small line of high-quality sketchbooks and I was lucky to cross their path as it seemed I was buying a new sketchbook every week, trying to find one I liked.

Since that time Stillman & Birn has expanded their line of great sketchbooks, with their wide range of quality papers and formats.  And except for cheap notebooks I use for quick-sketching, I’ve used Stillman & Birn sketchbooks almost exclusively.  Most of the sketches on this blog were drawn in S&B sketchbooks.

So when Stillman & Birn announced the release of a new line of softcover sketchbooks, I got some immediately.  But there was a problem with the binding.  I called Michael Kallman (President of S&B) about this and I felt so badly for him as his shock could be heard in his voice.  But Stillman & Birn rose to the occasion, withdrew the books from the marketplace, and went to work to solve the problem.

I was both surprised and thrilled when Michael sent me a couple prototype books to test, one with their 150gsm paper and the other with their 270gsm paper.  I was thrilled to find that the binding problems had been solved and wrote about this on February 20th.

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So What’s New Larry?

Two things have happened since then.  First, the softcover sketchbooks have been released to those of us who have been chomping at the bit to get our hands on them.  Second, I’ve gotten the chance to fill those two prototypes, allowing me to see how they hold up to my abusive behavior of throwing them into my art bag and carrying them everywhere I go.

I use 5.5×8.5 Alpha, 3.5×5.5 Alpha, and 8×10 Beta books and I love them all.  I’m not going to talk about the paper quality as you can find my comments on their great papers in my other posts and a simple Google search will yield many other artists singing their praises.  What I want to talk about is using them and how they wear because that’s what the prototypes have allowed me to experience that others may not have been able to do at this point in time.

Wear and Tear

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When you move from hardcover to softcover you do so mostly because softcover books are lighter (about half the weight of their hardcover counterpart), thinner, and typically a bit smaller because there is no cover overhang.  All of these things are true of the S&B softcovers (they do weigh about half the weight of the hardcovers).

The big fear, however, is that the softcovers won’t hold up under typical urban sketcher “throw them around” abuse.  I’ll be frank.  I didn’t have high hopes because I’m not kind to my sketchbooks, but these books hold up really well.   As you can see in the photo, these books look new in spite of having spent nearly four months being pulled in/out of my sketch bag almost daily.  Even the fact that the prototype books didn’t have their corners rounded as the commercial books are didn’t result in bent corners.

You might also note that the books aren’t swelled up from buckling.  This is a function of those great S&B papers, but  I was concerned that the Alpha book in particular wouldn’t flatten out as well as one with a heavy hardcover.  My fears were unfounded.

Softcovers In Use

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In use these books are a dream come true.  They open very flat – more so than the hardcovers.   I don’t work across the fold very much but it’s easy to do with these books, regardless of the weight of the paper.

This, and the fact that there is no cover overhang makes it very easy to scan sketches done in these books too.  I’ve fallen in love with the 8×10 format for this reason.  I have a hard time scanning 9×12 books, regardless of binding because they just don’t fit my scanner well.  The 8×10 books make it very easy and yet provide a nice size for larger sketches.

One thing that might be nice would be the addition of an elastic band to keep the books closed.  I  didn’t find this to be a problem with these larger books but with the 3.5×5.5, once you get into the book a bit I found that it doesn’t want to stay closed.  It’s not a big deal and I just used a rubber band but I thought I’d mention it.

Summary

I’ve been a Stillman & Birn fan for most of my short sketching lifespan and these new softcovers do what I didn’t think would ever happen.  It’s likely that I’ll stop using S&B hardcover books for the first time in five years.  I’ve fallen in love with these new softcovers.   Great paper.  Great format.  Light weight.  What more could a street sketcher as for?

Taking A Break By Drawing A Bridge

I was out walking the other day and realized that I’d forgotten my stool.  This limits where I can sit to sketch so I started looking for the magic sketcher’s triad.  A shady spot, a subject to sketch, and something to sit on.  Eventually I found a bench under a tree and the end of a bridge I could sketch.  This was the result.

Stillman & Birn Alpha (5x8), Esterbrook J9550, diluted DeAtramentis Document Black

Stillman & Birn Alpha (5×8), Esterbrook J9550, diluted DeAtramentis Document Black

Sketching In Limoilou

Our group wanted to sketch some more in the allies of Limoilou.  I’ve written about our previous sketching sessions there.  This part of the city was built mostly during the period where alleyways were used for garbage collection, electric wires, and other services.

But while the rest of the group headed off to the alleys, I decided to draw a chapel on 3rd Avenue.  I’ve wanted to sketch it for a long time and think most about the idea when there are no leaves on the trees as this affords a better view of the building.  But trees are nice too and this is what it looks like in July.

Stillman & Birn Alpha (5x8), Esterbrook J9550, diluted DeAtramentis Document Black

Stillman & Birn Alpha (5×8), Esterbrook J9550, diluted DeAtramentis Document Black

When I finished I wandered around the alleys looking for the group.  I found them and they were all finishing up drawing an alley scene.  I only had a few minutes but I documented this gaggle of sketchers.

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Gallerie-Margalis Revisited

Previously I posted some sketches I did at an event hosted by the Charlesbourg Watercolorists at Gallerie Magella-Paradis in the north part of Quebec City.  I guess Yvan and I didn’t make too much of a nuisance of ourselves because we were invited back when the group decided to do it again.  I don’t really have much to say about the day that wasn’t said the first time we went except that these folks are really nice and the weather much better than the first time we attended.

Here are the sketches I did, all in a Stillman & Birn softcover (5.5×8.5) sketchbook.  I used an Esterbrook J2048 pen with DeAtramentis Document Black ink.  Clicking on them will make them larger.2016-07-24-57Gallery12016-07-24-57Gallery32016-07-24-57Gallery42016-07-24-57Gallery52016-07-24-57Gallery62016-07-24-57Gallery2

Drawing In Artillery Park

“Artillery Park” is a name given to a cluster of buildings that used to be an ammunition factory but that now is a mix of a tourist spot, a park and two small museums.  It’s also going to be the site of our Fêtes de Nouvelle France this year.  But on this day, it was where Yvan and I went to sketch.  There are a bunch of nice scenes to be had there and we’ve both sketched there before, but we’ve yet to wear it out so we aimed our pointy devices at it again.

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Photo by Yvan Breton

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Photo by Yvan Breton

I chose to draw the backside of a small administration building that features a couple really humongous chimneys.  Why they’re so big I haven’t a clue as the building itself isn’t that large.  But I thought it made for a nice scene.  Besides, the city had set up signs for me so I’d have a protected place to sit while drawing.

I had a lot of fun with this sketch but confess that I struggled with the perspective of those big chimneys for some reason.  Just couldn’t ‘see’ them right.

Stillman & Birn Alpha (6x9), Esterbrook J2048, DeAtramentis Document Black

Stillman & Birn Alpha (6×9), Esterbrook J2048, DeAtramentis Document Black