My On-The-Go Pen Pouch

Another name for this post could have been “How I prevent losing my pens.” Maybe that’s not a problem you need to solve, but that was what caused me to talk about my pen pouch.  It came up in a discussion on Facebook about a sketcher who lost a pen so I thought I’d show you my solution to my scatterbrain-itis.

When I’m sketching on location I use, principally, a fountain pen, or maybe a couple fountain pens.  But I might add to the mix pencil, white gel pen, a black brush pen, and occasionally a waterbrush.  You get the picture.  I have several pointy devices in use.  I used to lay these in my lap, on the ground, slid into a pocket, and I’ve been known to stick one in my hair.

The result was a couple things.  While I’ve never lost a valuable pen, I have lost a couple cheap ones.  I once had a Platinum 3776 take a walk and nearly fall through a sewer grate.  It’s also the case that I was endlessly hunting for the tool I need at the moment.

The solution was my pen pouch, an idea I stole from my buddy Yvan, though his is fancy and hand-sewn.  I’m too lazy for that so I hunted around until I found a cheap, easy solution and it came in the form of a sunglasses case.

These cases are typically colorful sacks with a couple pieces of spring steel that can be compressed to open the case.  They are also perfect for clipping pens into the sack.  All I did to “create” my pouch was buy some D-rings at the fabric store and hand sew them to the sides of the sack.  To try it out I temporarily used a piece of a shoelace as the strap.  That was 8 months ago.  As I said, I’m lazy.  The only other thing I did was fold up some cheap watercolor paper to act as a divider so that pens clipped to opposite sides of the pouch don’t rub against one another.  As you can see in the photos, the divider is getting pretty beat up after 8 months.  I should have changed it before showing you the pouch but, as I said, I’m lazy.

This is the pouch with little pressure on the sides. The pens clip on either side of the opening.

Aside from preventing pen loss, once I got in the habit of only having one (ok..sometimes two) pointy devices out of the pouch at any one time, I no longer have to do the whirling dervish act of looking for my pens as I draw.

If you squeeze the edges of the case, it opens up, making it easy to replace the pointy devices. Here you can see the paper divider. I started with a plastic divider but the pens complained and yet they’re happy with the paper, which compresses and extends as I open and close the case.

Another benefit, that wasn’t anticipated is that with all my pens in one pouch, it’s easy to switch from my big “serious” sketching sack to my small, carry it everywhere sack.  I just move the pen pouch.  This has meant that I no longer have to duplicate everything.  Hope this helps someone.

First Nations Ceremonial Headdress

With all the 100people2017 stuff going on, I forgot to post this sketch that I did last week at our museum.  I’ve looked at this headdress several times and each time I convinced myself that I wasn’t up to depicted all those feathers with pen and ink.  In a crazy moment I started drawing it.  The biggest challenge was keeping my eyes from crossing as I tried to follow the feather contours.  I was pleased with the outcome, though.  Hope you like it.

Stillman & Birn Beta (8×10), Pilot Falcon, DeAtramentis Document Black (diluted 1:2)

#OneWeek100People2017: Day 4: More Mall Sketching

So far I’ve been quick-sketching whole people, mostly those buying coffee at the mall.  Marc Taro Holmes chided me a bit for drawing those people with their backs to me.  This was sort of true.  Because of the place I was sketching, everyone had their backs to me as they paid for, and received, their coffee.  I did look back, however, and noticed that 14 of those 50 people (28%) did have their face visible.  Marc’s a tough critic (grin).

So, when I went to the mall today I decided that I’d draw floating heads/faces.  I sat in the food court, moving once in a while, and most of my targets were looking in my direction.  Marc will undoubtedly tell me that I’ve left the bodies off and, again, he’d be correct.  And yes, I’m kidding, Marc.

I quickly slapped some color on these before I scanned them and, I think, this flattening the sketches considerably.  I guess I should have taken the time to try to get some shading into the color.  It’s said you can get two of three attributes from any endeavour.  These are cheap, quality, and quantity.  I always get cheap so I choose between the other two and this “challenge” is about quantity.  These 20 were done during a 30-35 minute session.  It shows.  Sigh…

 

 

Garneau Velo (Bicycle) Museum

A large producer of bicycles and bike gear is Garneau, Inc. and they are based in Quebec.  They have a factory and store just outside of town and associated with it Garneau has a small bicycle museum.  On display are really early vintage bicycles and tricycles, some made entirely from wood, but also some Schwinn bikes I had as a kid.  I guess that makes them ‘early vintage’ too.

Our group went there yesterday and we had a great time.  There were six of us, which was just about right for this small single-room museum.   Guylaine sat down to draw a Schwinn Stingray bicycle.  It’s classic banana seat and high-rise handlebars brought back lots of great memories.  I decided that rather than drawing a bicycle alone, it would be fun to draw Guylaine drawing the bicycle.  Here is my attempt at that.

Stillman & Birn Beta (8×10), Pilot Falcon, DeAtramentis Document Black

I find wooden bicycles to be quite marvelous.  The museum had quite a number of them, but I decided to draw this very large (front wheel is 29″dia) tricycle.  The amazing thing is that aside from the wheel bearings, rear axle, and pedal crank, the only metal in the bike is a y-shaped yoke that connects the body frame of the bike to the fork/handlebars.

Since it was all wood, I thought it fitting to draw it with brown ink so I used a Pilot 78G with DeAtramentis Document Brown ink for this sketch.

 

#OneWeek100People2017: Day 1: Sketching At The Mall

I’m not a fan of sketching “challenges” because, to me, this turns my hobby into a job and I’ve had enough of those in my life.  But when Liz Steel and Marc Taro Holmes proposed that people draw 100 people in 5 days, I just couldn’t refuse.  If you want to see the people sketches  from other people, just give the hashtag in the title to Mr Google.

I knew that to draw 100 people in a week I’d have to concentrate on quick-sketching them.  I also knew that I had a problem because I’d already committed to a sketching session on Tuesday that would have me spend the day away from people so I had to accomplish this task in four days rather than five.

I headed to the mall this morning with the idea that maybe I could get more than the daily requirement of 20 people done.  I found a seat in front of a stand-alone coffee vendor.  Because they have no seats, their customers ask for coffee, it’s handed to them, and they leave.  Occasionally a line will develop but I was there between coffee break and lunch, I guess, because it was mostly one person at a time and they were there less than a minute.  It was like being in a shooting gallery but with a pen in my hand.

One thing surprised me.  I got an audience, which was a bit disconcerting because they wanted to talk to me and I was trying to keep up with the people showing up for coffee.  It was a unique challenge but they were easy to please as audiences always are.

One thing was clear.  The intimidating number of 100 was not as formidable as I’d thought before I started.  I was producing one of these people every couple minutes in spite of conversations with my audience and the occasional lull in coffee traffic.

When I got to 37 it was time for a break so I bought a coffee and spent some time showing people what I was doing and answering the typical questions.  I was happy with the head start I’d gotten on the week, but if I wasn’t going to be able to sketch tomorrow, I was already behind (grin).  Heck, let’s face it.  This is kinda nuts.

As I was leaving I walked by the food court and I couldn’t pass it up.  Just 3 more so I could have enough for today and tomorrow.  I sat down and started drawing people who were ordering poutine, a disgusting concoction of fries with salty gravy and cheese curds.  I filled the page before I finally packed up and went home.

This evening I was watching TV news and started drawing the talking heads.  This added another 6 to the head count (pun intended) so I’ve drawn 50 people so far.  More to come.  How are you doing with your 100 people challenge?