My Very Own Artistic License!

Brenda Swenson is one of my favorite online artists.  This is mostly because she has one foot in the fine art world and another in the sketching world.  She’s written books on both.  So, while she understands what I’m doing as an urban sketcher, she also brings a wealth of talent from her fine art and so while I’ve never had opportunity to take one of her classes, I’ve learned a lot from studying her art.

But Brenda brings something else to the table… imagination and a penchant for helping new sketchers and artists.  And from those things came her “75-Day Challenge”, where you create one sketch, every day, for 75 days.  The only rule is that  and you use only pen to do it (no pencil; no erasing).  You can add color using anything you want but the sketch must be drawn in ink.  This isn’t the imagination part though, as she says she went through the challenge long ago as part of her training as an artist.  She claims that if you do this challenge you’ll ‘see’ better as an artist.

She knows people, however.  She knows that we’re like the donkey with the carrot hung out in front of his nose; we need motivation.  And from her imagination came the notion of the Artistic License.  This isn’t that mystical kind of artistic license that we simply means we took liberties with our subject(s).  This is the cold, hard physical kind of license – like your driver’s license.  You can show it to the cops if you’re caught sketching too fast.

MyArtisticLicense

And I’ve just received mine because I’ve recently completed the 75-Day Challenge.  Best of all, it came enclosed in a Christmas card that featured a Swenson original and that is cute as can be.  Thanks Brenda.

SwensonXmas I had fun doing this challenge.  Do I ‘see’ better because I used pen only?  My view is that anytime you create 75 sketches you improve.  In my case, I don’t think the pen-only thing did much for me, mostly because almost all my sketching is done with pen, though I normally start a sketch with some basic pencil lines.  But this challenge got me to try a bunch of different pens and work in a smaller size (I chose to do the whole challenge in a 3×5 notebook).  I also did a few sketches that weren’t done on location and that was fun too.  So I feel I know a lot more than when I started and I think that was the goal.  Besides… did I mention that I now have my very own artistic license?

selection

I’ve included a few of the sketches I did during the challenge.  You can see all 75 of them, however, on my Flickr page.  If you’re interested in the challenge, here’s Brenda’s Challenge.   I encourage you to give it a try.

Fun At The Musée De La Civilisation

Tuesdays are “free Tuesday” at the Musée de la civilisation in Quebec City.  I’m a member but it’s still sort of a special day as there’s a hustle and bustle in the museum that is lacking when I go during most weekday mornings.  Besides, some of my friends show up on Tuesdays, which is always nice.

Today Yvan, Bethann, and Nicolas were there and with so many sketcher shoulders to look over, I spent more time watching than sketching.  It’s said that to learn to draw you need to do it.  That’s certainly true but I learn a lot by watching others ‘do’ as well.

Because of all my sketcher gawking, I only completed one sketch today.  Most of my sketches are done with pen but I’m trying to learn to use a pencil.  I confess to being mostly lost when it comes to shading with these graphite spitters but here’s a sketch of the head of one of Joe Fafard‘s painted bronze statues.  The horse’s name is Vermear, according to the plaque that accompanies the statue and he was very cooperative, not moving a muscle during the entire session.

The sketch was done with a .7mm mechanical pencil in a Stillman & Birn Epsilon sketchbook.

 

Urban Sketching During Winter

Winter has been slow in coming to Quebec City, which has been great for those of us who like to sketch on location.  I’ve gotten at least an extra month of sketching my favorite subjects, the buildings of Quebec.

But winter has arrived and as I write this it’s 11F (-12C) outside.  This is just the beginning, as we’ll soon be experiencing much colder temperatures.  So what’s a location sketcher to do?  Common recommendations are to go to libraries, coffee shops, airports, and train stations.  These are all great if the things you want to sketch are people but even then, these places tend to be people in motion, something that’s hard for the best sketchers and impossible for me.  I’m the slowest sketcher on the planet.

But now that winter has set in, I’ve got more places and things to sketch than I ever thought possible.  They’ve come in two forms thus far: museums and free concerts/events.

Museums

There are a bunch of museums in Quebec City.  In addition to the large museums like Musee des Beaux Arts and the Musee de la civilisation there are numerous smaller museums scattered around the city, principally because this is a tourist town.  Each has sketching opportunities and I expect to live in them this winter.

In particular, I’ve become a member of the Musee de la Civilisations as it seems the richest source of things to sketch.  Right now there are displays of Nigerian art, Maori culture, Samouri armor, swords, and helmets, and a wide variety of permanent displays of Canadian and Quebec cultural people, places and things.  And they’re very friendly to sketchers.  There’s a cafe where you can get soup, tea and sandwiches.  And, in a world with snow and cold outside, it’s warm.

My first adventure there was done with my buddy Yvan Breton.  We went on ‘free Tuesdays’ and expected to find the place crowded with people taking advantage of the freebie.  But we went in the morning and it wasn’t really busy so we set up in the Nigeria display and started sketching.  I sketched some of the masks, doing them in a fairly small size and doing them fairly quickly.  I just wanted to get a feel for sketching in the museum and I wanted to save time to walk around to look at all the exhibits.  We had a great day.

Free Concerts/Events

Cities have events going on constantly.  I’m not talking about Justin Beiber coming to town or NASCAR races.  I’m talking about smaller events.  A fashion show at the mall, school plays, an author signing event, club displays, craft shows, holiday events, etc.  All of these provide things to sketch.

Here in Quebec City there are also a bunch of free concerts, many put on by our music conservatory, where advanced students gain stage experience.   I’m new to these and time will tell but they’re a great opportunity to sketch people, the musicians and spectators as they don’t move much for extended periods of time.

A small sketchbook and a pencil are unobtrusive and just the thing.  I initiated my new Stillman & Birn 4×6 Alpha series sketchbook at the last one.  What could be more enjoyable than to listen to great music while you sketch?

I spent a delightful 1 1/2 hours listening to some truly gifted violinists.  I’m going to use these concerts to practice my people quick-sketching skills.  It’s a cinch I need the practice, don’tcha think?  What are some of your favorite winter sketching locations?

Parchemin Du Roy – Sketcher’s Paradise

I was talking to a sketching buddy and he asked “Do you know about Parchemin du Roy?”  I said no and he told me about a place that sold pens, sketchbooks, and pencils that he’d recently discovered.  To say my interest was peaked was an understatement.  That was a Sunday.

And so on Monday I hoofed my way to Parchemin du Roy, about a one-hour walk from my house.  They were closed, so like a kid in front of the toy shop, all I could do was put my nose to the glass and look in.  And what a view.  I left with the resolve to return.

And so I did.  It’s not very manly to jump up and down while giggling so I controlled myself, almost, as my eyes beheld the interior of this store.  Inks, pens, books, papers, sketchbooks, notebooks, maps, pencils, watercolors, brushes, and lots of other wonderful items to look at and touch.

Maybe more important, is that while they have the more typical Paper Blanks, Moleskine, and Rhodia products, they also have some really nice high-end speciality paper products.  Not only do they have J.Herbin and Pilot/Namiki inks, they’ve got walnut inks and specialized calligraphy inks.  In addition to Brause dip pens, they’ve got handmade dip pens turned from hardwoods.  While they stock Lamy pens and all their accessories, they also have the new Shaeffer “Ferrari” pen.  Yes, I admit it.  I did giggle and I jumped up and down a little.  I hope Roy didn’t see me.

They offer workshops in calligraphy and you can learn to create illuminated pages.  I might have to take one of those.  For my first visit I bought a brush, notepad and mechanical pencil.  I talked with Roy about differences between Parker and Waterman ballpoint cartridges and I looked and looked – and then I looked some more.  I’m still a bit giddy from the experience.

As I left I took a couple photos (it was too cold to sketch outdoors) and ran home to do the sketch I’ve shared above.  I hope you like it.  Do you have a specialty store like this in your town?  I’m so lucky.

The Russians Are Coming…

When I came across this house in Quebec City, I had to sketch it.  I wonder if the Russian Czar who must be living there had a pool table under that dome or a ballistic missle.  It didn’t matter; it was just plain KEWL!

I set up across the street and went to work, sketching the bones in pencil and then doing the ink sketch.  I’m pretty slow as a sketcher and so this took me more than an hour but the time passed without notice.  When it came time for color, the waterbrush came out and… I realized that my watercolors were sitting on my desk at home.  So I shot this photo, packed up, and headed home.

Once at home I vowed to make up a second palette of watercolors so that I could keep it in my sketching satchel.  I had a W&N Cotman Sketcher palette that I picked up on sale and so I popped out the Cotman watercolors and filled the pans with Winsor & Newton artist-quality watercolors.  I’m still experimenting with color palettes and mostly working with little knowledge.  This is what I’m using right now, though.

 

I decided to go light on the color for this sketch; it just seemed to call for that approach, with all the emphasis on the building.  I hope you like it.

It was done in my Stillman & Birn 10×7 Alpha sketchbook, using a Hero 578 Calligraphy pen and Platinum Carbon Black ink.