Sometimes It’s All About The Shape

Sometimes, as I walk around my city I find a building or scene that I think will make a nice sketch.  Sometimes it’s a thing, like a boat, a car, fire hydrant or maybe a statue in a park.

But sometimes, it’s a shape that grabs my attention.  That was the case as I was walking near the marina.  There are several large tugboats there and I noticed that one of them had an array of pipes and nozzles that, from the diameter of the feed pipes, must be capable of dispensing more than a little water onto a fire.  I couldn’t resist; I had to draw it.  Done small, in my little mustache book, I really enjoyed doing this little sketch.

2015-06-13FireTug

Urban Sketching On A Rainy, Windy Day

What’s an urban sketcher to do when the weather turns bad.  One thing is to go with other sketchers to a cafe where you can sketch and talk about sketching, pointy devices and anything else that might interest the group.

That’s what we did on Thursday.  We drove to a great cafe and bakery on Ile d’Orleans.  Called La Boulange, it’s a grand old house that’s been converted to a cafe.  Great place to sketch in good weather and bad as there are lots of great scenes to sketch outdoors when weather permits.

On this day Yvan and I rattled on about fountain pens while Fernande and Claudette had fun drawing a family.  Looking through a passageway from the bakery to the restaurant tables, I saw this scene.

Stillman & Birn Beta (6x8), Namiki Falcon, De Atramentis Document Black

Stillman & Birn Beta (6×8), Namiki Falcon, De Atramentis Document Black

 

There’s More To Urban Sketching Than The Sketch

Studio artists get their enjoyment from two sources.  They can enjoy the creatiive process or they can enjoy the creation itself.  Urban sketchers enjoy these things too but for them there are other options.  Maybe it’s a special place or just a nice, sunny day that brings them joy during a sketching session.  Maybe it’s the comaraderie of drawing with a group of friends.  But sometimes the most enjoyment comes from the people you meet.

That’s how it was this day as I was wandering around Quebec’s port area.  I sat down to do a quick sketch of a guy who was fishing.  In my mind it would be a quick, inconsequential 2-minute sketch, maybe less.

The young fisherman had an even younger person hanging out with him.  The little guy saw me as I began the sketch and came over to take a look.  He said nothing and went back to the fisherman.  He returned a minute later, looked at my sketch and said, “Il est mon frère!”  He was excited that I was drawing his brother.  He ran back to tell his brother.  Lucky for me his brother was more interested in fish than drawings of himself or I would have lost my model.

The little boy, probably no more than 5-years old, started pointing at the sketch.  “His shirt should be red,” and he pointed at the shirt sleeve.  I was using pen in my cheap book and had no intention to add any color to this little sketch but he persisted.  “The chair is blue,” and he pointed at it.

Succumbing to my audience turned co-creator, I got out my watercolors and a waterbrush.  I plopped some red on the shirt, blue on the chair.  Buoyed by my response he started pointing to other things, telling me what color they should be.  I told him that the paper wasn’t very good for color and he seemed to understand, though I think he was a little disappointed.  But I thanked him for helping me with the drawing and he was pleased.

Saying goodbye, I walked away with a memory of the day I sketched with that little boy.

Cheap mustache notebook, Namiki Falcon, De Atramentis Document Black - done  with the assistance of a new friend

Cheap mustache notebook, Namiki Falcon, De Atramentis Document Black – done with the assistance of a new friend

Sketching Rue Champlain

The tourist season is heating up and places to put my tripod stool are already getting harder to find.  But I love the hustle and bustle of tourist season.  And there’s no place with more hustle and bustle than Rue Champlain, the street that runs along the St. Lawrence River and wraps around old Quebec.  This is where the cruise ships dock and where the ferry shows up every half an hour with another pile of tourists, each wandering around while looking up to see the buildings high on Cap diamant, the location of the walled city.  Lots of outdoor cafes, stores, and historic buildings give them plenty to do.

I was there on Wednesday and decided to draw one of my favorite buildings.  It looks like something from a fairy tale, with larger buildings on either side of it, squeezing it into its tall, thin form.  I wanted to sketch it with its windows bulging out from the pressure but decided that reality was good enough.  Instead I did the black window thing and I don’t think I like that approach very much.  Live and learn.

Stillman & Birn Alpha (10x7), Namiki Falcon, De Atramentis Document Black

Stillman & Birn Alpha (10×7), Namiki Falcon, De Atramentis Document Black

A Great Day At Trait Carre

Quebec City is a mosaic of small enclaves, one of which is Trait Carre, an area filled with big, beautiful elms and maples that surround beautiful old homes, some of which have become art galleries.  There’s a library with grass on its roof, a large dual-steeple cathedral and an ambiance of a very rural community, though it sits in the middle of the hustle and bustle of our city.

The sketchcrawl was coordinated by Daniel Chagnon and was part of the schedule of activities organized by Le Collectif (http://calvaq.com).  We weren’t a large group this day but, in a way, that’s what made it fun.  I got a chance to chat a bit with Lucien and Diane, who do most of the organizing for the group.  My French is very poor and I get lost when there are a lot of people speaking French simultaneously so the low turnout this day was a bonus for me.

Daniel knows the area well and we got a tour of the area before we each headed off in our own directions to sketch.  I decided to sketch this house and did it in a small format (3×5).

2015-06-07TraitCarre01

Moleskine watercolor notebook (3×5), Namiki Falcon, Platinum Carbon ink, Daniel Smith watercolors

We met for lunch, chatted about upcoming events, fountain pens and ink and we shared the sketches we’d done thus far.  We decided to get back to sketching and I headed to a scene I wanted to sketch.  It called for a larger format and the largest book I had with me was a Stillman & Birn Beta (6×8) so I decided to do a two-page spread.  I spent nearly two hours on this one and thoroughly enjoyed the time spent and the conversation I had with a young guy who was interested in my work.  Hope you like it too.

Stillman & Birn Beta (6x8), Namiki Falcon, Platinum Carbon ink, Daniel Smith watercolors

Stillman & Birn Beta (6×8), Namiki Falcon, Platinum Carbon ink, Daniel Smith watercolors