Urban Sketching In 2029???

There I was, with John Connor, fighting against the machines.  Somehow my fountain pen didn’t seem quite up to the task.  Truthfully, neither was I.  The machines had taken over the Earth and they were in the process of exterminating the human race.  They were everywhere, as was evidence of the carnage.  What’s an urban sketcher to do?  Draw, of course.  A little thing like the annihilation of the human race can’t slow down an urban sketcher.

Ok…so I lied.  Actually, I was at our Museum of Civilisation, in the nanotechnology exhibit.  In that exhibit is a full-size model of the Terminator of movie fame in all its shiny metal glory and, of course, it’s posed over several broken skulls.  In honor of John Connor I did my best to capture the remains of the 2029 urban landscape.  I drew the skulls.

Stillman & Birn Beta softcover (8x10), Pilot Falcon, DeAtramentis Document Black (diluted)

Stillman & Birn Beta softcover (8×10), Pilot Falcon, DeAtramentis Document Black (diluted)

Domestic Sketching: Let’s Try Imagining A Pine Tree

It seems there will be a continuing series of sketches being done by this urban sketcher that have nothing to do with urban sketching.  I’m forcing myself to draw at my desk.  I’ve even cleaned it off so I don’t have to shove stuff out of the way to do it.  I’m going to call this domestic sketching and label results as such.

Anyways, my first sketch was a small, defoliated tree and I thought it only fitting that I should follow it up with a pine tree.  As it turned out, I drew two of them, the second coming simply because I wanted to try to do a classic Christmas tree shape.  Probably shouldn’t have cuz it looks out of place in this sketch, at least to me.  One thing I’ve noticed about sketching at home, with good light, a desk and a good chair.  The sketching is a whole lot easier.

Fabriano Artistico (7.5x11), Pilot Falcon

Fabriano Artistico (7.5×11), Pilot Falcon

Late Fall Sketching Is The Best

Ever notice that when things come as a surprise they’re just a bit better?  We’re experiencing some late fall weather that’s been really great and it’s extended my outdoor sketching season.  This surprise has been sweetened even more by my boss and true love (some call her my wife) wanting to sketch with me.  Life is great.

We found ourselves on Ile d’Orleans, the island I’ve mentioned in recent posts and we were back in the park I discussed here.  Chantal wanted to sketch the large hotel building and I sat down to sketch an old house on that sits on a hill in the park.

Stillman & Birn Beta (8x10), Platinum 3776, Platinum Carbon Black

Stillman & Birn Beta (8×10), Pilot Falcon, DeAtramentis Document Brown

When I finished up I went looking for Chantal and found her working away on her sketch.  Not wanting to interrupt her, I sat down and started doodling details of the building she was drawing.  I need to do this more often cuz it’s fun… lots of fun.  I probably could have organized them better on the page but I gave that no thought as I just kept scibbling until the pages were full.  You might want to click on the graphic to enlarge it a bit.  Do you ever do this?

Stillman & Birn Alpha (5.5x8.5), Platinum 3776, Platinum Carbon Black

Stillman & Birn Alpha (5.5×8.5), Platinum 3776, Platinum Carbon Black

 

A Perfect Sketching Day On Ile d’Orleans

Just east of Quebec City, in the St. Lawrence River, there is a huge island that is filled with farms, vineyards, and about a gazillion apple trees.  We go there in early summer to pick strawberries.  Mostly though, we go there to sketch because the small towns that run around its perimeter are full of sketchable subjects and because it’s “out in the country.”

At one of our gatherings Miram Blair came to sketch with us and she offered for us to come to her summer cottage on the island and since there aren’t many outdoor sketching days left in our year, I decided to contact her and arrange for us to descend upon her like sketchbook-carrying locusts.  She graciously agreed to host us.

As it turned out, only three of us could go but go we did, arriving about 10AM on a cold, blustery day.  As it turned out, Miriam doesn’t just have a cottage.  She has a huge barn and a bunch of land associated with her cottage and her cottage has a huge room that serves as kitchen, dining room, and studio.  It’s also a little slice of heaven.  No wonder Miriam is always in a good mood.

We decided to sketch outdoors first, in spite of the wind and the threat of rain.  We figured we could sketch until we got too cold and then head indoors to sketch the amazing stuff Miriam has hanging on her walls, sitting in window frames, and on cabinets in the large room.

I, being the consummate sissy, decided that I couldn’t sit in the wind so I took up a position just inside the door of the barn and drew this scene.  I’d taken a large folding chair with me because my back was still barking at me and, as it turned out, I was really comfortable and thoroughly enjoyed it.  I never really finished the sketch.  I just stopped when everyone went inside.

Stillman & Birn Beta (8x10), Pilot Falcon, DeAtramentis Brown, Zig brush pen

Stillman & Birn Beta (8×10), Pilot Falcon, DeAtramentis Document Brown, Zig brush pen

The brave folks, the ones who sat in the wind and drew the barn, were cold so we made our way into the house and for the rest of our time with Miriam, that’s where we stayed.  It was soooooooo much fun.

I spent a lot of time just looking at all the stuff Miriam has collected, mostly during local walks from the looks of the bird nests, shells, driftwood, etc. that graced her room.  She has two long tables, set end to end and a dozen beautiful wooden chairs lining their sides.  We used a few of them as we ate lunch, flipped through art books, and talked.

Eventually, though, we got back to drawing and I chose this scene.  When I started I wasn’t sure how successful I could be with it but I sure had fun doing it.  It’s a very different kind of drawing than my typical building sketches as I had to do a bunch of visual planning to get the bottles in the right places.  In the end, though, I was really happy with it as it captured the spirit that is Miriam’s place.

Stillman & Birn Beta (8x10), Platinum 3776

Stillman & Birn Beta (8×10), Platinum 3776

Stillman & Birn (4x6), Duke 209, DeAtramentis Document Black

Stillman & Birn Alpha (3.5×5.5), Duke 209, DeAtramentis Document Black

Miriam has a small dog named Nicki.  He and I became friends and he sat with me while I did my first sketch and because I gave him a bite of my sandwich 🙂  But as we were packing up to leave, Nicki was laying on the floor and in spite of three sketchers who were all around him as we packed up our gear, he wouldn’t budge.  I grabbed my small sketchbook and did this quick sketch of him.  It was a great end to a perfect day.

The Tribulations Of An Urban Sketcher

I love sketching on location.  Most of what I do is done outdoors, but sometimes Mother Nature throws up some roadblocks, or at least speed bumps.  As we head into autumn I’m reminded that she ultimately wins and that I’m forced to spend several months each year where I have to find indoor venues for my location sketching.

Our last sketchcrawl was one of those times where I fought Mother Nature and, at best, I achieved a tie.  Most people didn’t even show up for this sketchcrawl.  Yvan and I were there and a couple other diehards put in an appearance, but we started off with a threat of rain, followed by some rain.  It was short lived but then it became cold and very windy.

Before the rain I drew an ice cream parlor on Terrase Dufferin, the large boardwalk that runs in front of Chateau Frontenac in Quebec City.  Compared to the rest of the day, I was quite comfortable while doing this sketch.

Stillman & Birn Alpha (8x10), Platinum 3776, Platinum Carbon Black

Stillman & Birn Beta (8×10), Platinum 3776, Platinum Carbon Black

Then the rain came.  We ducked under an overhang associated with the Frontenac and waited for it to stop.  When it did I sat down next to the overhang to draw one of the light fixtures on the building.  I won’t be showing you that one because as the wind came up it blew a big pile of rain off the overhang and onto me and my sketchbook.  The sketch became an abstract of ink blotches before my eyes.

I decided to head up to a small park just west of the Frontenac.  It’s high on a hill that provides some unique views of Quebec, including the back side of a church from above its roof line.  I decided to draw it.

That would have been a better idea for a day when it wasn’t so cold and windy.  I was completely exposed to both.  I tried…I really did.  My sketching got faster and faster.  My sketching got less and less detailed.  And I got colder and the wind got windier.  Everyone else left because it was crazy to be sketching in that weather.  I wanted to finish.  Mother Nature decided the end of this sketch.

Stillman & Birn Beta (8x10), Pilot Falcon, Noodlers Polar Brown

Stillman & Birn Beta (8×10), Pilot Falcon, Noodlers Polar Brown