Pencil Before Ink: Another Approach

In my last blog post I admitted that I often commit the deadly sin of using a pencil in advance of my fountain pens.  This is a sometimes I do, sometimes I don’t thing but I suggested that there are two ways/reasons why I use a pencil.  In that post I showed one of those reasons, where I simply drew some blobs to give me some indication of the location of the various objects tht make up a scene.  The reason is that by doing this I can draw any of the objects while knowing how it relates to the other objects as the preliminary pencil work, that represent my thinking about those relationships, has already been done.

The other reason that causes me to do some basic pencil work before moving on to ink arises when I draw man-made objects, like buildings, cars, etc.  I could just start drawing, of course, but I prefer to analyze these objects separate from the actual drawing.  I want to spend time ‘seeing’ the relative sizes, locations and orientations and I want to do it with a higher level of precision than the example in the previous blog post.

2014-06-21deAuteuilResidencePencilTake a look at this preliminary pencil sketch.  You’ll notice that there is no detail.  It’s mostly about boxes but those boxes represent the windows and door of the building.  While drawing those boxes I paid close attention to their relative alignment and sizes.  I didn’t fuss over whether the lines were straight or the corners square as I was more interested in whether the two windows on the left were the same size (the third window is different) and to ensure that the windows would be lined up with one another when I drew them.  Notice that I also drew a few lines to represent the front of a car.  Here I was only interested in the windshield and hood angles, where the car sat relative to the bottom left window, and where the curb line met the front of the car.

Is this necessary?  Of course not.  In fact, Marc Taro Holmes just did a great blog post on using ink dots to organize a drawing.  I’ve used that method myself.  Still do.  But by using a pencil,  I end up with boxes that I can look at, compare to the building I was sketching, and, for me, it provides better visualization of how the sketch will look when finished.

Regardless of how you do it, the important thing, I think is that you do this sort of organizational step before you start your actual drawing.  Too many sketches are less than they could be simply because the drawing step was started too soon, leaving the sketcher to discover, major misalignments, a lack of space for a particular object, and other dilemmas that are easily avoided.

Another advantage of pencil use it that a pencil is a tool separate from my actual drawing tool.  By using it, it’s easier for my feeble brain to understand that I’m ‘organizing’, and not ‘drawing.’  It causes me to take the time to actually see the organization of my subject and causes me to organize it on the page.  Often, if I work directly with pen, I’m inclined to skip this step or rush through it too quickly.  Give it a try.  It might work for you in the same way.

In any case, here’s the result after I add ink.  Once again, the pencil lines are so light (I increased the contrast for the post) that there was no need for an eraser of any kind.

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Stillman & Birn Alpha (9×6), Pilot Prera, Noodler’s Lexington Gray

 

While Walking Through The Park One Day

The Plains of Abraham, in Quebec City, is a large area where a guy once had a farm.  Then the Brits climbed the cliffs, shot it out with the French and among other things, they built a large fort to protect the area from those big bad Americans that would soon invade.

They never did but the result is that this large, partially wooded, and well-developed park area is now labelled Battlefield Park on the signs but everyone who lives here calls the area the Plains of Abraham.  It’s our oasis – a place to sit under a tree and have a picnic.  It’s a place to walk through a forest, although it’s really a managed clump of trees by forest standards.  Our art museum is in the middle of the Plains.  When the likes of Paul McCartney comes to town, the Plains are where he sings Let It Be.  Oh, and the Plains plays a significant role in my mystery novel, Her Book of Shadows.

It’s also a place where I go when I’m in the mood to sketch some nature, though more often than not I turn to my favorite subjects, man-made objects.  This sketch is something of a mix but I couldn’t resist this small scene.  After I did the sketch I went to the garden to sketch, but all I did was sit and enjoy the sun on my face and the large array of tulips that were blooming.  Life is sweet.

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Stillman & Birn Alpha (9×6), Pilot Prera, Noodler’s Lex Gray

Quebec City’s Harbor Is Busy Again

For the last couple weeks, all the pleasure boats that have spent the winter in their cocoons have been carried, one-by-one, down a ramp and plunked into Bassin Louise, the protected harbor for pleasure boats in Quebec City.  There is a lock that allows boats to come and go in spite of the significant tides of the St. Lawrence River and just outside those locks is where all the tugboats are, that serve the larger ship traffic along the St. Lawrence and/or are loaded/unloaded in Quebec City.

I walked down to this area today and there was a spring (pun intended) in my step.  I have to say it…I just have to.  No way I can avoid it.  It’s just got to come out.  IT WAS WARM, WARM, WARM today.  I was wearing shorts and a t-shirt as I skipped along the St. Charles River.  I was a happy sketcher.  Did I mention that it’s finally WARM in Quebec City?

There was only one glitch in the day.  I sat down to draw a small tugboat that I hadn’t seen before.  Most of our tugs are what one might call ‘ocean tugs’  – really big, really powerful tugboats.  This one was much smaller.  It was cute.  When I was a kid I had a book whose main character was L’il Toot.  He was a brightly colored tugboat with big eyes on the front of his cabin. This tugboat reminded me of him.  But when I opened my sketching bag I found that I’d forgotten to stuff my sketchbook into it.  I did have a small Strathmore “Drawing” book, however, so I did this quick sketch of my tugboat as it poked its head above the harbor wall.  Did I mention that it was WARM today?  In spite of the lack of a real sketchbook, this was a great day.

Strathmore 4x6 "Drawing" book, Uniball Signo UM-151 pen

Strathmore 4×6 “Drawing” book, Uniball Signo UM-151 pen

Sketching The Riviere Lairet… Sort Of

Once upon a time there was the Riviere Lairet.  It meandered through what became Limoilu as Quebec City spread north from its origins atop Cap Diamond.  Ultimate, Limoilu was swallowed by Quebec City during a large merger but everyone still calls it Limoilu.  We’re a stubborn lot.

From the photos I’ve seen one of the basic problems with the Riviere Lairet was that lots of water ran in it in the spring and almost none in the summer.  The result was a fairly deep canyon running through what was quickly becoming a very populated area.

Maybe more important, the canyon had a lot of very fast-flowing, dangerous water at one time of year and at other times it became a dumping ground for the less civic-minded members of Limoilu.  So it was decided, in the mid-20th Century, to build a huge pipe to convey the spring waters underground from north of Limoilu all the way to the St. Charles River – my river.

Parc_Cartier-Brébeuf_smThese days, the Riviere Lairet name can be found on maps as a long, open pond area in Cartier-Brebeuf Park, with the south end of the pond emptying into the St. Charles River.

But the water that fills this park area still has to get there through the pipe I mentioned.  They do everything in their power to hide the pipe’s opening into the park but I thought it would make for a fun sketch.  The weather further convinced me as while it was almost warm, it was also windy.  After climbing down the hill to this view, I was conveniently out of the wind with only a few ants to bother me.

I used a Uniball Signo UM-151 (.38mm) gel pen for this one.  The fine pens in the 101 series are mostly waterproof but anything thicker than .38mm and the gel ink starts to wash into the watercolors, at least on the Stillman & Birn Alpha (9×6) paper that I use.  Hope you like it.

Stillman & Birn Alpha (9x6), Uniball Signo 101 (.38mm)

Stillman & Birn Alpha (9×6), Uniball Signo 101 (.38mm)

Wonder What He Was Reading

As things warm up I naturally migrate to the harbor area.  It’s cooler there, which at this time of year isn’t a good thing but it’s a gorgeous view from the boardwalk that runs in front of the Chateau Frontenac, the historic hotel that is the symbol of Quebec City.

I found myself there after a sketching session and decided to sit and take a break, enjoying the sun and ambiance.  This guy was sitting a couple benches down from me, reading a magazine.  I did this quick sketch of him using a Sharpie Fine Pen in my Stillman & Birn Alpha (9×6).

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