As a street sketcher, I’m used to coming to these blog posts with stories about where I went, what I saw, and why I drew what I drew. What do studio artists talk about anyways?
Here’s a little sketch from my imagination. I spent a few minutes trying out some Fabriano Artistico hot-press paper. Watercolor acts very differently than on cold-press paper and It’ll take a while to figure out how to use it.
My wife has been way too nice to me as I’ve hobbled through life for the past few weeks. I feel guilty about the burden I’ve placed upon her, but I’m grateful that she’s been there for me. She’s very special.
A couple days ago she came home with a wad of nature in her hand. She put it on the table and said, “I thought you might like to draw this.” She is a sly one. She knows I’ve been fighting motivation and energy levels but she also knows that when she gives me something I feel a compulsion to draw it. She also knew that it would only remain draw-worthy for a couple days.
And so, I drew it. I decided to skip pen hatching, one of my favorite things, and rely upon watercolor for shading and once again I demonstrated how little understanding of watercolor. I should stick with pen (grin).
Hi guys, I thought I should keep the blog rolling with a brief update on my do-nothing life. I’ve mentioned my leg problem and associated fatigue and my fight against indifference towards doing much of anything.
I’d linked these two things together in my mind, but I’m beginning to wonder. My leg is no longer the diameter of a telephone pole and my knee is now improving, thanks to physio treatments and time. But my constant feelings of fatigue, sour stomach and a desire to sleep all the time remain and I don’t think it is related to the sorry state of daytime TV.
The fact that I can walk around the house without pain is good but it’s this other problem that is the most sinister. Now that I’m convinced that these problems aren’t because of my leg, maybe the health care system can help me figure out what’s really going on.
Anyways, I haven’t been doing much sketching. I try, I really do. It’s just that my attention span between naps is short. Here’s a typical page from a Stillman & Birn Alpha 9×6 that I’ve been working in though. I chose this one because it represents the sorts of things I’ve been doing.
Not your typical urban sketches, for sure. I don’t think I’ve done a sketch in the last few weeks that has taken more than a few minutes. The one on the right represents a series of experiments I’ve been doing with gouache. Specifically, I’ve been drawing heads and people directly with gouache (from internet photos) and then adding some ink on top. I find this a fun way to draw people but I have no idea how I could operationalize it on the street. The gouache dries quickly but people move too much to allow even gouache to dry before I add the ink.
The cow is, well, just a cow. I saw a picture of a hyper-realistic painting of this cow and I was struck by the asymmetry of its ears. I assume it reflects how the cow had its ears rotated when its image was captured but to me it was humorous so I quickly drew it.
Hopefully I can bounce back from whatever ails me and that it happens soon. I hope all of you are enjoying Inktober. I’m enjoying all the sketches being posted.
It’s been several weeks since I walked out of my house wearing my larger art bag. That was the day I met Brigitte, the new sketcher I mentioned in my last post. We met in the small park along St. Denis street within the walls of the old city of Quebec.
We were to meet at 10AM but Claudette and I arrived earlier, I think it was around 9:30. We both started sketching and I was well into a drawing when Brigitte arrived. When she did, we started talking about everything and anything and had a delightful conversation about her, about the sketching world in Quebec City, her house renovations and a bunch of other stuff. She’s really a delightful person but eventually we decided that maybe we should draw and so got back to it. By then, though, it was nearing lunch time, or at least coffee break time so we didn’t get much more sketching done.
I was starting to have my leg problems and when I got home my bag went on the shelf and the only thing I’ve done with it since was to remove my pen case, because all other materials are replicated on my desk and/or in my smaller bag. Yesterday, however, I decided to organize for what I optimistically view as my imminent return to street sketching.
And guess what I found? That partially complete sketch from weeks ago. It seems very unlikely that I’ll ever complete it so I thought I’d show you an ‘in progress” photo of it. Hope you like it.
Some know Field Notes as a company that produces thin, 3.5×5.5 notepads in a series of ‘themes.’ Most of the time these notebooks come with lines, graph or dot-grid paper but once in a while they produce a series with blank pages and these are great for use as small quick-sketch notebooks. Most famous, thanks to Tina Koyama, is the Sweet Tooth series that had blank pages and came in red, yellow and blue paper books. Tina has done, by my count, a zillion or so sketches in the red ones.
A recent release by Field Notes may be the most useful notebook yet for sketchers. No, they won’t replace my Stillman & Birn books but for quick-sketches they’re just dandy. The release is called the Dime Novel Edition and reflects the format (4.25 x 6.5) of dime novels of the early 1900s. The paper is blank, except for a small page number in the upper right corner.
Instead of their typical staple-bound 48-page form, this book has three signatures (72pages) that are sewn together and then wrapped with a heavy cardboard cover. To sweeten the pot, Field Notes uses really nice 70# paper that has just enough tooth to make it nice for drawing pencils and great for fountain pen. I’ve only done a bit of testing but I saw no evidence of bleedthrough with this paper though there is a bit of ghosting.
I find the size ideal, mostly because it’s very thin – about 1/4″ thick, light and yet large enough that if you draw across the gutter you have a 6,5 x 8.5 page to work on. Oh…and if you go through it, pressing each page open (the book handles this quite easily), it will also lay flat.
The 70# paper does limit what you can do with water, but if you don’t slop on too much water, you can use watercolor as well. Watercolor pencils seem to work particularly well, but again, you need to keep the water applications light or you’ll get some buckling of the paper.
The books are sold as a 2-pack for $12.95. Page count here exceeds the total pages contained in the 3-packs of the 3×5 Moleskine books that many use for this purpose and the paper here is far superior so if you carry such a notebook with you, give these a look.
