Kaweco Lilliput – A Sketching Pen?

My new favorite store is Notabene, in Montreal.  I’ve talked about it before but today I want to show you a pen I bought there back when Liz Steel came to Montreal.  It’s the Kaweco Lilliput in aluminum.  You can buy it in brass and, I think, copper but the aluminum one is so light that I just had to go down that road as it suits my arthritic hands better.

To look at it though, you have to wonder whether such a tiny pen could be useful for sketching.  I’m here to suggest that it has both advantages and disadvantages as a sketching pen, but I’ll sort of give away the punch line by saying that I’ll probably be using this one a lot this winter.

Size

When it’s closed up, it’s really tiny, measuring only 95mm long and about 7mm in diameter.  Drop it in your pocket and you won’t even know it’s there, which can be good or bad depending on your view.

When open, however, it’s every bit as long as a Lamy Safari so you feel like you’re holding a real pen, which you are.

While the Safari weights 18g, the Lilliput weighs only half that (9g).  A feature I like as a street sketcher is the ability to post the cap and the Lilliput allows that like a champ since there are threads that let you screw the cap to the end of the pen.  Works great every time.

Ink storage

This is an area where pros and cons are dependent upon a person’s needs.  The Lilliput takes standard pen cartridges.  This translates directly to having a large number of inks available from a number of manufacturers.  Kaweco themselves make a bunch of them, including a really nice black and an equally nice gray that I’ve tried so far.  The downside of standard cartridges is that they hold less ink than, say Platinum or Pilot cartridges. Another downside of standard cartridges is that none of the truly waterproof inks come in that size cartridge, though aside from Platinum, that’s true for all of the cartridge formats on the market.

Kaweco makes a converter for this pen but by all accounts it’s a miserable design that doesn’t work well and actually holds less ink than do the cartridges.  I don’t find any of this a drawback as I can fill standard cartridges with any ink using a pen syringe, which is how I fill all of my pens anyway.

So how does it perform?

I bought the fine nib.  Kaweco also sells it with heavier nibs and even an extra-fine nib that is so fine that I didn’t see it as practical.  Here’s a quick comparison of Kaweco fine and a Lamy Safari extra-fine.  I tried hard to get this graphic to display in the size/contrast of the actual linework but I suspect it will display on most computer screens larger than it exists on paper.  Performance while inverted is excellent, by the way, and it doesn’t seem to dry up like many pens when used in this way.  You can see that Kaweco Fine nibs are fine, like most Asian fine nibs.

I started using this pen with a Kaweco Stormy Grey cartridge.  I decided that it wasn’t dark enough to make me happy so I switched to Kaweco Pearl Black.  Both of these inks performed well in the pen, though I noticed that the pen writes a bit drier than my Platinum and Pilot pens.

Then I filled a cartridge with Platinum Carbon Black.  This worked ok for a while but fairly quickly, the dry-writing fine nib and pigmented ink combination created some starting problems, though once started it seemed to work ok.  I really hate that, though, so I don’t find PCB a suitable ink for this pen.

I’ve tried my diluted version of DeAtramentis Document Black ink and that works great.  Just for this review, I ran some Noodlers Black through the pen.  This works fine too for those of you who find that ink suitable for sketching.

What I really like about the pen is the ability to start a sketch with very light, sometimes intermittent lines if I use a very light touch, and then, as the sketch develops, I can add emphasis and contrast by applying a bit of pressure.  Coupled with its light feel, it’s ideal for quick-sketching people.

So, is it a good sketching pen?  If you love big, heavy pens, absolutely not.  If you absolutely need to use Platinum Carbon Black rather than alternatives, I don’t think so.  If it’s going to be your only pen, probably not.  But this pen is now part of my arsenal because of its light weight and small size and because it opens into a full-size pen that feels good in my hand.  Here is a doodle page from my testing.

Last Trip To Ottawa For A While

We made our final trip to Ottawa for a while.  Our daughter just graduated from University of Ottawa and we moved her to Montreal where she’s entering law school at McGill.  I gotta tell ya, I’m too old to be moving from school to school.  Been there, done that, even have souvenir t-shirts.

But since we were there, it seemed only appropriate that I should do some sketching.  The first chance came when we agreed to meet our daughter in Rideau River Park.  I don’t know if that’s what it’s really called but it runs along the Rideau River and Chantal and I had parked our butts on a bench while we waited, so its Rideau River park to me.

I got out a Stillman & Birn 6×6 Beta spiral book and just started quick-sketching everything and anything.  No rhyme or reason to it, which is fun sometimes.  Find a white space on the paper and fill it – easy peasy.  Here’s a couple of the pages I did.

I drew stuff; I drew people, and I even drew some of the birds on the river.  But then my daughter showed up and there were other things to do.  We hadn’t seen her in a while.

A couple days later, Chantal and I went down to the Parliament area and sat on a picnic bench in the shade.  I’m showing this next sketch to make a point to those who feel “I’m not good enough” to sketch around other people.  I was scribbling this teeny, tiny sketch (3×4) in the tiny sketchbook I mentioned in a previous blog post.  I’ve been having fun doing these really tiny sketches but they’re really crude and mostly just warm up sketches. Even that gives them too much credential.

Anyways, a really nice lady from Italy asked if she could sit because she was waiting to take the Parliament tour.  Chantal started talking with her, she saw my sketch and got genuinely excited about it.  She took a photo of it to show to her friends.  My point is, people are amazed that anyone can draw anything.  You don’t have to be good to sketch in public.  You just have to sketch in public for people to think you’re good (grin).

I started drawing this next sketch because we were sitting right near the corner of a building called East Block on the Parliament grounds and we  were on a hill, affording an interesting view where I wasn’t having to look up a lot to see the top of the building.

While I was working, a Chinese family from Manitoba came to sit.  They were waiting for a tour too.  Their son, a young teenager was excited to see someone drawing and showed us a couple of the sketches he’d done.  He wanted to be an animator and was making a good start at it.  They watched as I did this sketch and I confess that half a dozen people asking questions was a bit distracting, but Chantal fielded many of them so we sort of formed a temporary clan as I sketched and they waited for their tour.

Chantal and I were both getting hungry so we headed off to forage.  Once sustained we decided to go sit in the center of the busiest intersection in Ottawa.  Well, sorta.  There is a triangular piece of land near Parliament with a lot of traffic passing on all sides.  This place is filled with statues, including a memorial to Canadian military actions complete with honor guard.

I drew the Laura Secord statue, the famous candy lady.  Some defend her statue status with stories of her running for kilometers to warn the British of an impending attack by Americans during the war of 1812 but I know its the chain of chocolate stores that brought her fame.  It just had to be, though most deny she had anything to do with the candy business.

When I finished that sketch I was getting pretty tired but I quickly draw this part of Chateau Laurier, a posh hotel that’s nearby.  All sorts of errors in this one but it was a fitting end to the sketching day.  When I was done we headed off to meet our daughter for dinner.

The Hurrier I Go, The Behinder I Get

I shouldn’t write titles like that.  Some of my Francophone buddies will be saying, “Ca va dire quoi?” and file it away as further evidence that I’m a crazy person.  Apologies.

It’s been a week since I’ve posted.  The reason, in part, is because I’ve been gone for a week, to Ottawa and Montreal.  While I had to share my sketching time with other activities, I’ve got scanning to do before I can post my sketches from that trip.  I’ve also got sketches from before the trip.  I’m so disorganized at this point.

In the meantime, here’s a sketch I did before I left.  It’s a small shed and basement access to the Maison Dorion-Coulomb, the home of the St. Charles River park association.  Everyone draws the front of this beautiful, multi-gabled house from the front, including me, but I thought it fitting to give a bit of love to the lesser portions of the building.  Besides, I could sit in the shade.  Back soon, with more.

Stillman & Birn Beta (6×6 spiral)

Sketching On The Side Of The Road

We headed to Berthier last Thursday, to enjoy each other’s company and because Claudette has a new project – sketching Casse-Croutes.  I don’t even know what you call them in English but they are generally smallish, roadside food dispensaries.

Our first stop was a Casse Croute that sits on Rte 132 near Berthier, Quebec.  My sketch was going well until I started adding color.  I made a big mistake, though I only half know what it was.  I started adding shadows to the building and the shadow color started melting the Quin Gold already in place on the building, causing a mess.  Could be that the Quin Gold wasn’t dry.  Could be that I used too much water in the shadow.  Could be that I rubbed too hard.  In any case, I made a mess.  I post it here as an example of a sketch gone wrong.  Other than a bit of grumpling at the time, it was still fun.

It was time for lunch so we headed for the marina/park in Berthier, scored a great spot overlooking the St. Lawrence, and Louise started digging food out of a big case she brought along.  My goodness did we eat…and eat.  And drink.  Wine and sun can certainly mellow a sketcher.  By the time I was done consuming a gazillion calories and a sufficient ration of alcohol, I was ready for a nap.

But time was a wasting and we were sketchers.  We piled into the car and headed to a Casse Croute called L’Extra.  Claudette and Louise had already drawn that one but they wanted to draw some of the “extras”, which were a bunch of plywood cutouts of all sorts of stuff.  I have to be honest, between the wine, the sun and the goofy sketching subjects, I was less than enthused.  I still wanted my nap.  But I sat down with the rest of them.  Yvan took a photo of us.  I share that photo with you as it looks like we’re sitting on the side of a road praying.  I’m sure I had my eyes closed.  I did get out a sketchbook, though, and quickly doodled a few of those “extras.”  It was more fun than I thought it would be.  I think the wine helped.

 

Last Sketch In Montreal

Following three days of sketching in Montreal, we had to move our daughter from Ottawa to her new place in Montreal.  We burned up Sunday moving her stuff and filling Ikea’s coffers with our money.

That went smoothly so by Monday morning the only thing left were a bunch of boxes that needed to be emptied.  It had determined that I was not smart enough to help with that process because I wouldn’t put things in the right place and so I was told to “go sketching and bring back lunch.”

Those were orders I could march to so I headed out the door.  I found this amazing piece of architecture only a few minutes away and there was a shady area on the opposite street corner.  I set up to do a leisurely sketch.

When I finished the sketch I packed up and headed to Notobene, my new favorite store, because Anne-Laure had bought a rainbow pencil there and I wanted one too.  I bought two and then drew a couple people while leaning against the wall outside.  Then it was time for forage for lunch.  It was a fitting ending to this amazing sketching trip.  With my daughter living in Montreal I’ll have ample reasons to return so I’ll be sketching in Montreal regularly from now on.