What’s an Eye-dropper Pen?

Several people have asked, in response to my post titled My Ideal Idea Book: What’s Yours post, what an eye-dropper pen was and how to make one.  I dropped the reference into that post without realizing that I was talking to people who don’t hang out in the fountain pen world and I apologize for not providing a more complete explanation.

The typical, modern fountain pen uses an ink cartridge.  These are convenient, but they do have a few drawbacks.  They contain very little ink, typically half a milliliter or less.  You are also limited by the colors and kinds of ink available in cartridge form.  Cartridges are also the most expensive way to feed a fountain pen.

So, many people replace the cartridge with a converter that allows you to suck up ink from a bottle and so your choices improve and your costs drop considerably.

What is not solved by this approach is the amount of ink stored in the pen.  But, what if you could fill up the entire barrel of the pen with ink?  A $3-4 Preppy pen barrel will hold 4-4.5 milliliters, or about nine times as much ink as is contained in a cartridge.

And so the “eyedropper pen” is born, taking its name from the way you fill the barrel of the pen – with an eyedropper.  Here is my editing pen.  Everyone knows that editors use a lot of red ink so it’s a natural for eyedropper pen conversion.

To do the conversion you need several things:

1) A pen that has no holes in its barrel.

The popular Lamy Safari is an example of a pen that won’t work without modification as there are large holes so you can see how much ink is left in your cartridge.

2) small rubber washers

You can buy these at Home Depot but what they have available are thicker than is generally desireable.  While they will work, they create an unsightly lump along the body of the pen.  I bought a bunch of proper-size washers from Goulet Pens for a buck.  These are very thin and don’t protrude once you close up the pen.

3) silicone grease

Some say you don’t need this.  When it comes to ink I want everything I can get  between it and my fingers.  This grease comes from Goulet Pens as well.  Might cost $1.50 for a lifetime supply of the stuff.

4) a few seconds of your time

I mention this only to emphasize how easy it is.  Here’s what you do:

1) open up the pen, discarding the cartridge

2) slide a washer onto the threaded portion of the pen, seating it where the barrel and pen head come together.

3) coat the threads with a small amount of silicone grease.  Less is more in this case.

4) fill the barrel with your favorite ink.

5) Put the pen down so you don’t poke yourself when you pat yourself on the back.

It’s quite likely that you’ll have to wait a bit for the ink to find its way up the feed and to the nib.  If you need to write immediately you can just dip the nib into the ink bottle to get things started.

 

NaNoWriMo: A Writing Opportunity

It’s that time of year again, when there’s lots of buzz about the upcoming NaNoWriMo event.  If you’re a writer, or a wannabe writer who hasn’t heard of it, National Novel Writing Month happens every November.  It an oft-misunderstood event by those who have never done it and a cherished experience by those who have.

The obvious goal of NaNoWriMo is what it takes to win – write 50,000 words in one month.  Winning, though, means getting a certificate that says you did it and as great as the feeling that comes from receiving it, the small size of this token of “winning”  should underscore the importance and value of this aspect of NaNoWriMo.  If “winning” on this level were the only goal, you could copy the first 50,000 words from a dictionary and submit it.  You would “win” but that’s hardly the point.

What is the point is skills acquisition – a specific skill.  Fiction writers need talent and imagination.  Writers need to understand grammar, and other writerly stuff.  But a person with perfect grammar and great imagination can never complete a novel without one other skill, a skill that most wannabe writers lack.  It’s the ability to put your butt in the chair to write on a regular basis.

We all mean well.  We plan, we think, we “have the story in our head.”  But we also have excuses for why it doesn’t get written.  Our “muse” isn’t cooperating.  We’re too busy.  Some even use “I’m such a procrastinator” as though this were some genetic disposition that explains it all.  The excuses don’t matter.  In the end, most well-intentioned people never complete even a first draft of a novel.

The truth is, writing regularly, and with purpose is an acquired skill, just like any other.  It must be acquired and doing it alone is difficult.  It must become a habit.  That’s where NaNoWriMo comes in.  Starting November 1st, tens of thousands of writers, like yourself, will launch themselves into an intense writing month, requiring a word production of 1667 words per day if you want to meet the 50k goal by November 31st.  Support is provided in many forms and with so many people in the same boat, doing the same thing, it is easier somehow.  NaNoWriMo lets you experience being a productive writer and, if you perservere, it will cause you to get that story that’s “in your head” down on paper.  It won’t be a polished novel at that point but it can be with some subsequent effort on your part.  Once the draft is written, the rest is much easier.  Many NaNoWriMo novels have been published and many more will be.  Maybe yours.

Sign up for NaNoWriMo.  It’s free, it’s fun.  And add me to your buddy list.  My NaNo name is larrym.

 

Cheers — Larry

 

What Can Antiques Road Show Teach Traditional Publishing?

I was watching the Antiques Road Show last week.  I love that show as there are so many stories presented in association with the antiques being discussed.  This night there was a guy who had some beautiful, old ledger books.  He’d fished them out of a dumpster simply because they were leather-bound, very large, and very cool.   Their exteriors suggested they belonged in a medieval monastery. These ledgers were from a company that manufactured buggy parts and dated to the early 1900s.  The books were, what’s the word?  KEWL!

But as nice as they looked on the outside, it was the inside that held the true gems.  Inside were hand-written entries of sales and delivery numbers for the various parts produced by the company.  The hand-writing was crisp and clear.  John Hancock would have been proud.  Sadly, we’ve lost hand-writing as a well-practiced art form.

What was interesting about the entries is that as you flipped through the books you saw that the company had transitioned from making buggy-parts to making car parts.  As I watched this I wondered how much grumbling went on within that company over the introduction of cars and the demise of an industry in which they were so heavily invested.  I envisioned dart boards with Henry Ford’s face.  The bottom line, however, was that not only had the company transitioned from one set of products to another, this company was still in business, throwing out their old ledger books of a century ago.  The major book publishers should have been watching Antiques Road Show.

Why?  I’m glad you asked.

The book industry is in the middle of same sort of shift that the transportation industry experienced when cars replaced the horse and buggy.  It’s moving from a high-cost print-based product to a lower-cost eBook product.  On its face this should be easy for publishing companies as only the container for their product (i.e. – words) has changed.  In the process they can quickly eliminate many of their printing, distribution and returns costs from the red side of their ledgers.

The problem, however, is that the companies who should be leading this industry change, the big publishing companies, aren’t.  In fact, they’re more concerned with protecting their shrinking legacy industry than participating in the newer eBook industry in spite of now reporting that 20-25% of their revenues are coming from eBooks while also reporting large declines in paperback and hardcover sales.

It should be Random House and Macmillan competing to see who has the best eReader, not Barnes & Noble and Amazon.  But the large publishers are not only not in the eReader business yet, they are pricing their eBooks in ways that limit sales of their books to consumers who do own eReaders, iPads, iPhones, etc.

Harper-Collins should be inventing innovative ways for libraries to use and distribute eBooks.  Instead they have produced a limited lifespan model that is completely unworkable given the modern ways in which libraries interchange books with one another to serve the public.

And so the Internet debate lines have been drawn and we are constantly bombarded by indie vs traditional model blog posts.  eBook advocates call traditional publishers names, some becoming justified by the very actions traditional publishers, agents, etc. are taking in attempts to retain their jobs and their way of doing business.  Those on the traditional side of the debate are firing back, largely embarrassing themselves as they twist reality into a pretzel as they voice their denial that anything has changed.   Much of this denial, I believe, comes from the fact that the large publishers have never viewed readers as their customers and they’re having a hard time coming to grips with that.  They’ve always viewed bookstores as their customers.

In the end, however, readers are learning a whole new way to books, without the “big six” being involved.  Readers are learning how limited their choices have been, caused largely by the large publishers wanting to make more and more money from the sales of fewer and fewer book titles.  Readers are learning more about small publishers than ever before.  Independent authors are selling lots of books.

Authors are happy because they are more free to express themselves and because they’re making more money than ever before.  They’re able to make their older works available, works that were largely abandoned by the large publishers after a 60-90 day run in bookstores.  Readers are happy because the selection is great and generally prices are lower.

And while this is happening the buggy-makers haven’t figured out that they need to start making car parts.

My Ideal Idea Book – What’s Yours?

Most writers have some method for recording ideas, making location notes, or maybe even sketching out a scene.  What’s yours? Mine must be portable as I never know when a good idea will start rattling around in my head.  I go for walks and just think about my current project.  Scene ideas will pop into my head, a whole new story idea might come up, or maybe I’ll have a great dialog idea.  I’ve got to write it down.

For most, the tools are a notebook and ball-point pen, though I’m not alone in being particular about my writing utensils.  What makes me anguish a bit more than most over this idea is that in addition to being a writer, I’ve got a fountain pen fetish.  If I’m going to put ink to paper; it’s got to be done with a fountain pen.

Fountain pens generate special challenges.  Those of us afflicted refer to the perfect triad of paper, pen and ink as though it were some magic potion, and I suppose it is, as a great pen only writes well with the proper ink on the proper paper and finding this combination is much of the fun of writing with fountain pens.

I’ve tried many combinations and I’ve found the ideal combination for my needs.  The goal is actually more complicated than just finding pen, ink, and paper that work together as I’m a guy.  I have no purse.  Some might say I have no brain.  So in addition to the general need for pen/ink/paper compatibility, I need:

1) The pen needs to be cheap because I’m prone to losing them.

2) The notebook must be small enough to fit in my back pocket.

3) The ink needs to dry quickly as I need to be able to make notes and shove the notebook back in my pocket without smearing.

Here’s my solution.  All of this stuff, except for the Moleskine notebook, is available from my favorite fountain pen store, Goulet Pens.   Nicest people on the planet and they provide a fantastic online shopping experience.

Cheap Pen & Quick-Drying Ink

Platinum Preppy pens are simply the best bargain ever.  With a street price around four bucks, they provide a smooth-writing pen and a natural for a portable, cheap pen system.   If you lose one it’s not a burden to replace it.

Platinum cartridges have a small ball inside them that help to keep ink flow even when the pen hangs out in my pockets for long periods of time.  The problem is the ink, which isn’t bad, but I’m fussy about my ink.  Goulet Pens has a tutorial that talks about converting a Preppy to an eye-dropper pen (you fill the entire barrel with ink) and I’ve done that.  While I’ve never had one leak, I don’t like the idea of carrying them in my pants pocket and elimination of the cartridges also means elimination of the small ball in the cartridge.

But it’s easy enough to use a syringe to fill any cartridge and that’s the approach I use.  My ink of choice for portability is Noodler’s Bernanke Blue (also comes in black).  It flows well from Preppies and it dries almost as quickly as I can lay it down.

Small Notebook size

The critical dimension for my portable notebook is that it must fit in my back pocket.  Thus, Levis determines my notebook size.  I use a Moleskine notebook as it fits well.  I have tried a Rhodia Webnotebook as the paper is superior but it’s just enough larger that it’s uncomfortable to carry on my butt.  If that’s not a problem for you, I highly recommend this notebook.  So, for me, Moleskine it is and my ideas are captured and I get to enjoy writing with a fountain pen.  What do you use to record your thoughts?

 

 

 

 

Coexist by Julie Crane

Consider this writing task.  Write a young adult novel with a cast of young girls and the occasional hunky guy.  Have them live in a modern computer world, interacting with each other on Facebook.  Oh, and don’t forget to include an elf war.

How would you do that?  I’d give Julia Crane a call.  She’s got more experience with this than the rest of us and she does an amazing thing: she makes it believable.

Coexist starts with Keegan, an teenage elf and her family who are, not surprisingly, also elves.  Elves have their mates chosen for them and she’s thinking about him, whoever he is.  But elves coexist with normal humans, beings without the powers of elves.  And thus the story begins.

Crane weaves a tale of Keegan’s balancing act between living the life of a human teenager while hiding her elfen heritage, her destiny, and her brother’s destiny, which is to have a role in resolving the impending elven war between the light and dark elves.

I’d like to tell you more but that wouldn’t be fair, would it?  If you enjoy young adult fantasy, get this book.  Read it.  You won’t be disappointed.