Quick-Sketching A Landscape

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I’m convinced that I’m the slowest sketcher on the planet.  I’m not proud of being number one, but a man has to know who he is.  Sketching isn’t a race but nevertheless, this is often a problem for me because I’d like to capture a scene without growing a beard at the same time.

I figure that the only way to crack this problem is to force the issue so this morning, I went to a park near “my river,” sat down and started drawing trees as quickly as I could.  I did the pen work for this scene in about 25 minutes and reached for my color tools.

Oops…I’d forgotten my watercolor stuff.  What I did have was a handful of watercolor pencils and the smallest waterbrush known to man.  The pencils were ok for the color source but that waterbrush… yuck.  It was woefully inadequate for the task.  Nevertheless, I worked quickly and in less than 40 minutes I had this sketch.

Stillman & Birn Beta (8×10), Platinum 3776, Platinum Carbon Black

This doesn’t compare well to Liz Steel doing a painting  in the blink of an eye and it’s not even close to how long it takes me to do a one-minute sketch a’la Marc Taro Holmes, but for a scene with this many trees, I feel it was pretty quick.

I’m hoping to do a bunch of one-minute sketches and another bunch of continuous line drawings this summer.  They won’t be as detailed as my normal drawings and certainly not as accurate.  But I’m hoping these exercises will speed up my hand.  Wish me luck.

“What’s Wrong With It,” Cheryl asked.

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I tend to be fairly pragmatic about my successes and failures when I sketch.  I don’t make a big deal out of succeeding and it doesn’t bother me if I fail.  In fact, failure is an opportunity to learn.  It’s this last thing that gets me in trouble as I also don’t mind saying I’ve failed because I don’t see that as a bad thing.

Stillman & Birn Beta (7×7 spiral), Pilot Falcon, DeAtramentis Document Black

And so it was when I posted this sketch on my blog and on Instagram. I voiced the opinion that it wasn’t my best and this caused Cheryl Wright to ask, “What’s wrong with it?”

Rather than give her a brief answer it seemed her question presented an opportunity to talk about the analysis I do when sketches don’t meet even my low standards.

Composition & Esthetics

I tend to do building portraits so composition generally takes a backseat to showing off whatever it is that causes me to draw the building in the first place.  But if I did this one again, I’d move my point of view so that the streetlight wasn’t directly in line with the ductwork on the side of the building and I’d ensure that the globe of the light wasn’t hidden within the crown of the tree.  These things completely negated the raison d’etre for including the light in the sketch in the first place.

Also, the window treatments are sloppy in this sketch.  I wanted to keep them simple but I hatched them carelessly.  Generally I’m still very clumsy with color but clumsy is where I’m at right now with color so I hardly ever assess it.  Maybe some day.

Tonal Obfuscation

This building is little more than a box.  What makes it interesting is that the entrance and display windows cut across a diagonal of the building, but the building itself is square, creating a ceiling over the entrance and windows.
I completely obfuscated that reality by painting the signs and entrance a dark black, completely flattening this feature of the building.  I’ve tried to play with it in Photoshop to indicate a better way, lightening the signs but I’d messed up the sketch so badly that it was hard to make it look good.  I hope the graphic demonstrates what I am talking about, however.

Keeping Things In Perspective

This is where things really went south, though.  It seems I let my horizon line wander.  I’m not a stickler for perspective and don’t generally think in terms of vanishing points and such.  But it should be the case that the farther one gets from the horizon line, the more steep should be the angle downward or upward towards a horizon line – AND the horizon line needs to be kept constant.  If you are consistent in this way, it won’t matter much whether  each is accurate.  Here, I wasn’t consistent and you can see that the angles go all over the place, crossing in places and being parallel in others.  Shouldn’t be like that and the sketch suffered.

So this is why I said what I said about this sketch.  I agree with what Cheryl said in the rest of her message, “I love its quiet simplicity.”  I only wish I’d done a better job of depicting it.  Thanks to Cheryl for asking a great question.

 

A Sad Tale Of A Great Success

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I got up yesterday morning full of enthusiasm.  I was going to drive to Montreal and sketch with some Montreal urban sketchers and I was going to get to meet Koosje Koene of Sketchbook Skool fame.  My trusty weather app reassured me that I would be greeted in Montreal with 15-17C and sunny skies.  So off I went, listening to CBC radio and doing my normal “Oh, that would be great to sketch” dialog with myself as I sped through the countryside.

I was going to arrive a couple hours before everyone else but Jane Hannah said she’d meet me, but a bit later.  I parked in a very convenient parking dungeon (seven stories below ground) that Jane gave me coordinates to and walked out into the beautiful sunshine ugly rain.  Hmm…not so good.  But I was confident the rain would stop and I’d never been to old Montreal before so I just started walking around, taking photos of the amazing architecture and statues. Tourist am me.

Eventually I wandered back to the meeting place and there was Jane.  And the rain had stopped.  We talked for a bit but eventually sat down to draw.   Not being versed in the rules of Montreal, I didn’t realize that this was the cue for the rain to begin.  It did.

This was the extent of my sketching. I increased the contrast so you could see my mental discussion with shapes and proportions in anticipation of actually drawing this structure.

Jane suggested we walk to a restaurant she wanted to show me.  We did but it was closed so we walked a bit more.

The rain stopped.  Of course it had; we weren’t sketching.  We decided to draw part of an amazing building so we set up, sat down and I started block in the basic shapes I wanted to capture and, you guessed it – it started to rain again.

It was getting near time to meet Koosje so we headed back to the meet location, stood with a few urban sketchers and along came Koosje.  It was not going to be much of a sketching day so we went to a restaurant and spent the next three hours talking, eating, and some sketched people.  I’m not much for sketching in restaurants so mostly I watched and kibbitzed.  There were a dozen of us so there was lots of potential for kibbitzing.

In the end, the day was a big success because of the people.  I’ll do sketching some other time.  It did seem that I needed a souvenir of the day, however, so this morning I did this quick drawing of part of city hall, depicting the dreary nature of the day, I hope.

Stillman & Birn Beta (8×10), Platinum 3776, Platinum Carbon Black

A Little Bit Of Blue

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Once upon a time the Field Notes company released an edition of their small sketchbooks called Sweet Tooth and it contained a red, a yellow and a blue notebook as a three pack.  Several of us started drawing in the red ones because it creates a bright mid-tone between our black and white pens.  Tina Koyama has become queen of the Sweet Tooth, using mostly red but sometimes blue notebooks.

vignette from imagination while watching baseball

Me, while I did some “serious” sketches in a couple red books, I’ve mostly relegated these books to really quick-n-dirty sketches, done while waiting for someone or small sketches from my imagination while I watch baseball.  I don’t scan these sketches as there’s just too many of them, none worthy of consideration but they help train my brain to draw, which is the reason I do them.

I feel I’ve plagiarized this from somewhere but I don’t know from where. Done from “imagination” while watching baseball

Real quick sketch of part of our skyline

I’m posting a couple of them here so I’ll have an excuse to post a nod to Tina’s ‘abandoned couch’ series.  I was waiting for our gang to show up to draw and across the street was an abandoned couch with a couple matching chairs piled up on top of it.  I thought immediately of Tina.

In honor of Tina Koyama’s abandoned couch series

 

Aukey Wireless Headphones: A Sketcher’s Friend

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I walk a lot and most of my sketching takes place during those walks.  I  listen to podcasts while walking, lots of podcasts.  I follow pencil podcasts, pen podcasts, news podcasts, science podcasts, and even a fishing podcast.

I suspect I’m not alone in “needing” headphones, earbuds, or whatever you want to call them as a part of my sketching gear, though nobody really talks about them, and I’ve become a devotee of wireless headphones for sketching.  Not having a cord connecting my phone and ears is really nice.  I don’t think I could go back using wired earbuds.

Here’s one of the sets of Aukey headphones that I own. Once you go wireless, you never go back.

I’m writing about mine because the Aukey company, who make a range of headphones and other audio electronics has just gone above and beyond and I want to acknowledge them.

I mentioned that I lost a set of headphones during my run in (almost literally) with the Chateau Frontenac (Sketching Is Dangerous – Expensive Too!) and so I ordered my fourth set of these headphones to replace them.

One set, though, will not take a charge, so I decided to write to the company to see if they could give me insight into what I might do to fix them.  I got an almost immediate reply and with it an offer to replace them.  I couldn’t believe it but I am most grateful that there are companies like this still in existence.