People In Motion by Marc Taro Holmes

I’m a big fan of Marc Taro Holmes.  His precise and yet loose (how does he do that?) building drawings are a wonder to behold, at least for this street sketcher.  Marc works larger than I do, looser than I do, and a whole lot better than I do but I can’t get enough of his work.

His recent book, Urban Sketcher: Techniques for Seeing and Drawing on Location rests next to my butt location when I watch TV and while I’ve read it twice, I find myself flipping through it, studying the drawings, as my wife and I watch…yawn…American Idol.

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But what I’m not, however, is a sketcher who searches out people to draw, attends life drawing classes, and the rest.  Sorry folks, but I find people boring.  Buildings are just cooler.  That said, when Marc, in conjunction with Craftsy, offered a course titled People in Motion I immediately signed up.  I was going to get to see Marc draw…yippee!

I’m really glad I did.  Marc is not only a great artist/sketcher, he’s a well-organized, articulate teacher with a willingness to provide lots of information in high-density form, showing you every step of his approach to drawing people.  People or xylophones, what Marc teaches in this class will help you draw them quicker and better.

He provides several ways of doing it but his primary method is a four-part approach.  I suspect that more often than not, Marc himself smushes the four parts together when he’s on the street sketching, but for learning what he’s thinking as he captures people dividing up the thought processes and results of them on paper, is an ideal way to get the points across.  And you know what?  Marc has even got me, yeah…go figure, ME interested in drawing people.

I encourage anyone who would like to capture ANYTHING quickly onto paper, to at least view the intro video of this course.  Better, just take the course.  It’ll be money well spent.

Writing At The Coffee Shop

It’s been so cold here lately that I’ve been reluctant to go walking.  The other problem, of course, is that ‘walking’ is more like slipping and sliding here right now.  So I’ve been doing some writing, trying to make some progress on that front.

2015-01-21brulerieBut I can only stay at home so long before I start going nuts so I went to a nearby coffee shop to work.  I grabbed a table in the back corner of the place and a café allongé and went to work.  After a couple hours I took a break from editing and decided to give my new Sailor calligraphy pen a test run.  I quickly sketched (3×5) the view I had, which wasn’t great because I purposefully had hid myself from most of the clientele.  This pen is quite different from my Hero calligraphy pens and Tina Royama claims it’s easier to control.  I think she’s right but it will take a bit of getting used to, as this sketch illustrates.

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I got another coffee and moved to a place by the window and worked for another hour. I saw this woman working as a crossing guard in the bitter cold.  The sad look on her face got my attention and I devoted a bit of ink to capturing her plight.  I shared those feelings as I’m an Arizona boy and Quebec winters are not something I take to with great fondness.

I looked around and there was a guy sitting with his back to me.  He was wearing a backwards baseball cap.  He’d taken his coat off and was wearing a t-shirt.  For some crazy reason this stuck me as odd, given that everyone else was wearing long sleeves, sweaters or coats.  Internally I chuckled and I drew him as though it weren’t -30 outside.  I drew him in his t-shirt, backwards baseball cap and shorts.  I guess I was hoping it would make me feel warmer.

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This sketching adventure involved about three hours of writing/editing and less than ten minutes sketching but it was better than nothing (grin).

 

Frustrated January Sketcher And Other Stuff

I apologize for not posting much since Christmas.  I’m full of excuses if that will help.  You see, while most folks get to return to normal after January 1st, my holiday season is in full swing.  My daughter was home for the holidays.  Both Chantal and Jodie have birthdays in the first half of January and we just returned from Ottawa.  Oh…and it’s VERY cold, so for a street sketcher it’s a tough time of year.

I looked at my total sketching experiences from my Ottawa trip and two things happened.  First, I sighed and did a mental ‘woe is me.’  Then it occurred to me that it might be worth mentioning a couple things about the result, so here it is.

2015-11-OttawaClearly this isn’t a post about my great art.  Rather, I want to talk about some philosophical and pragmatic things that these two pages represent.  You see, this is a brand-spanking new Moleskine sketchbook.  Now I’m not a fan of these sketchbooks for ‘real’ drawing but I had the opportunity to get one cheap and so it’s going to serve as my daily ‘quick-sketchbook.’  I carry one of these with me at all times and not stuffed away in my man-bag (which holds my regular art stuff) but rather in my pocket, with some sort of quick-sketching pointy device tucked away with it.  It can be brought out in seconds and is often returned a couple minutes later with a new sketch between its covers.  I started doing this about two years ago when my buddy Yvan Breton convinced me of the power of such an approach.

Two things occurred when I started carrying such a sketchbook.  The first, and most important was that I started doing a LOT more sketching.  In the past couple years I’ve filled about 20 of these little 3×5 or 4×6 sketchbooks in addition to my regular sketchbooks.  Most of the pages are filled with quick sketches, though sometimes I’ll do something more complete.  No matter how you slice it, that means a lot more sketching fun and sketching practice and I can do it when no other kind of sketching is possible.  The other thing that has happened is that my ability to see shapes quickly has improved immensely and it allows me to be more loose with my line work than is my typical style.

The sketch on the right is typical.  I was sitting in a restaurant with my family and we were waiting for our food to arrive.  This woman was standing at a bus stop across the street.  I took out my sketchbook and pen, a Uniball Vision, and quickly sketched her.  I doubt that it took two minutes, which included having to wait for a large truck that blocked my view as it waited for a light.  Then the book went back in my pocket and I was ‘back’ with my family.

The left page is also interesting as it shows my lack of respect for the space so many treat as hallowed ground – the pages of a sketchbook.  When you worry about whether every page is worthy of posting on Facebook, you will lose many opportunities.  My small sketchbook is a place where ‘who cares’ rules.

In this case I’d started a sketch while leaning against the wall of my daughter’s apartment.  I was looking out the back window and had started drawing a nearby building.  I was using a Zebra 301A ballpoint.  It was announced by my boss…err..wife, that it was time to go so the book went into my pocket.  We were headed for Ikea.

We hadn’t been in an Ikea in a decade and acted like farmers in a big city for the first time.  We ate meatballs and wanted to buy everything in sight.  Realizing that we had to write numbers of stuff we might want to buy, I pulled out my Moleskine Sketchbook and started writing.  Would you do that with your sketchbook?  It’s to your advantage to be willing to do so as otherwise you won’t start a lot of sketches because you won’t feel you have time to ‘finish’ or ‘do the sketch justice.’  We did buy that kitchen island, by the way, and hauled it back to Quebec.

Now, do you need a Moleskine sketchbook for this?  Heck no, and in fact I’d advise against it.  The paper is ok for pen or pencil but it stinks for watercolor isn’t necessary for pen, and they’re ridiculously expensive.   Most of my small sketchbooks are 3×5 or 4×6 sketchbooks that I’ve bought at our dollar store, though they typically cost me $2.

 

Coffee Shop Sketching With Friends

Sometimes it’s fun to meet with friends and at this time of year it’s fairly common for me to have coffee with a friend to wish them a Merry Christmas and to chat.  But there’s something special about doing that with sketcher friends and that’s just what we did Monday.  Fernande, Claudette and I met at a large coffee shop, thinking it would give us more sketching opportunities than some of the smaller shops.

I think our plan would have been sound at other times of the year but this is the Christmas season and the shop was packed to the gills with people, decorations, stuff for sale and, well, it too crowded for relaxed sketching.  Still, we had lots of fun chatting about sketchbooks, brush pens and life in general.  And we sketched.  Fernande and Claudette were more productive than I was; they always are.  I get wrapped up in whatever sketch I’m doing and spend too much time on it, I fear.  My way of saving paper, I guess.

Here is my Christmas sketch for 2014 – I’ve never been much for drawing Christmas ornaments for some reason, but a huge poinsettia and balloons?  Yeah…that’s more my style.  Merry Christmas everyone.

Stillman & Birn Delta (6x8), Namiki Falcon, De Atramentis Document Black

Stillman & Birn Delta (6×8), Namiki Falcon, De Atramentis Document Black

A Few Of My Favorite Things

I love trains and I was lucky to be a kid when trains were a very important part of our landscape.  I’m also lucky enough to have lived long enough that we’re now wishing we had those trains we discarded because our ‘modern’ mechanisms for moving people and goods are becoming economically and environmentally untenable.

I also love my daughter, but she rudely grew taller and taller until, one day, she ran away to college.  But it’s the holidays and she was coming home – on a train.  Trains, daughter and me, all in the same place.  What more could an old man want?

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I arrived at the train station about 15 minutes before the train was to arrive and found that her train was going to be about 10 minutes late.  Figuring I’d have about 20 minutes before I had to move to the arrival gate, I sat down in the main hall to draw.

I love our train station.  It’s something of a shell of its original footprint, with only a few trains and far fewer passengers moving through it’s cavernous insides.  Fewer passengers means more room available and in recent years they’ve built a couple smallish restaurants along one wall of the main hall.

I drew one of them (resto can be seen in the interior photo above) in a Stillman & Birn Beta (6×8) with De Atramentis Docu Black.   Not having a lot of time, the sketch is a bit on the wonky side but it was fun and I finished up in time to watch the train arrive.  Did I mention that I like trains?  Oh…and my daughter too.

Happy holidays everyone! — Larry

Stillman & Birn Beta (6x8), Namiki Falcon, De Atramentis Docu Black

Stillman & Birn Beta (6×8), Namiki Falcon, De Atramentis Docu Black