Yeah…yeah, I know that the kids got to Narnia by way of a wardrobe but have you ever wondered where the main entrance was? I think I’ve found it. It’s in Levis, Quebec. Just go through this gate and up the steps into the forest. Easy peasy.
Stillman & Birn Alpha (10×7), Pilot Falcon, Platinum Carbon Black
I’m participating in Sketchbook Skool’s ‘story-telling’ course and this week we were blessed to have Melanie Reim as our instructor. Melanie draws at the speed of light, with loose, flowing ink lines and mostly these depict people on the street. She’s an excellent instructor but more important, she’s an incredible inspiration.
So, I found myself sitting on benches in our downtown area drawing people. I’m a slow sketcher so my attempts at quick-sketching anything always come up short. Nevertheless, I really enjoy doing this. In fact, it’s the only kind of sketching of people that I do as they are not my favorite subjects. Here are some of the sketches I did. Hope you like them.
I discussed a sketching trip I made to the Mt. Herman cemetery here in Quebec City in my last post. I love that place, though I’d rather be walking around in it than “resting” in it, if you know what I mean.
I hope to sketch there quite often, though outdoor sketching days will soon become few and far between as winter is knocking on the door. But I had to return to sketch the Teggert Bell. It is in honor of the family who have acted as cemetery directors for five generations and the way it’s displayed just begged to be sketched. Here is my meager effort at doing just that.
Stillman & Birn Alpha (10×7), Pilot Falcon, Platinum Carbon Black ink
Last Saturday our sketching group, Le Collectif, held a sketching event at the Mt. Herman Cemetery. It’s located just south of Sillery and stretches down to the cliffs overlooking the St. Lawrence. This cemetery is nearly 200 years old, and contains, mostly, the remains of British, Scottish, and Irish people who did much to grow Quebec into what it is today. And as you wander the rolling hills of the cemetery, below its canopy of old maples, ashes, and elms, you can’t help but be drawn to the names on the headstones, many dating to the middle of the 19th Century.
It must have been the case that marble was a lot cheaper back then than it is now as there’s a lot of it in this cemetery. Tall, statuesque monuments, requiring a team of people to put in place, have stood for 100 years or more and they provide enduring symbols of what materials and craftsmanship can accomplish.
Our trip coincided with a memorial/commemoration of the retirement of the last of five Treggetts, that have acted as directors of the cemetery. This was a bonus on the day as I got to meet Mark Brennan, the new director, his right hand, Maureen, and several other fine people who didn’t seem put off by my poor French and even allowed me to speak some English. Oh…and they gave use cookies and coffee.
Stillman & Birn Alpha (10×7), Pilot Falcon, Platinum Carbon Black
But it was sketching we came for so it was sketching we did. The morning was cold, wet and windy so actually sitting down to sketch was a struggle, and bordering on foolhardy. Ultimately I came across this scene and set about putting pen to paper. There are dozens, if not hundreds of scenes like this so I hope to do more sketching here before it becomes too cold for outdoor sketching.
Moleskine watercolor book (3×5), Pilot Falcon, Platinum Carbn Black
The cold morning fatigued me and it was hard to get onto the next sketch so I was slow in doing so. Besides, the other sketchers were scattered around the grounds and I wanted to say hi and see what others were doing. I’m nosey that way. So, I did a lot of walking instead of sketching and it was fun. I did sketch this headstone, dated 1871.
Moleskine watercolor book, Pilot Falcon, Platinum Carbon Black
Fernande, my regularly sketching partner was there and we ate lunch together and chatted about the day. By then the sun had come out and it sort of revitalized us a bit. After this late lunch we started looking around for something that plucked at our 2PM sensibilities and I found it in this modest headstone, made of large, cast stones with a Celtic circle and plaque attached to it. I found three in the cemetery that used similar construction, though each was unique. I’m doing the ink-sketch-a-day event that’s going on right now so I approached this as an ink-only sketch, including a lot more hatching than I would normally add. Then I decided to add some color anyway.
By the time we finished it was time to head up for the memorial. Sadly, the time we were given for this was 3PM but by 2:40, when we arrived, the service was over. We were, however, in time for coffee, cookies, and comraderie with some very fine folks. Thanks, Mark and Maureen. We had a great day.
Digital cameras brought about the phenomenon of the selfie. I think it’s relevant that it required ‘free film’ and social media for this narcissistic portrayal of oneself to become so popular but that’s probably the grumpy old man in my talking.
When I was enrolled in the Sketchbook Skool’s “Seeing” semester I did at least one example of each homework assignment except one…the selfie. I didn’t know how to do it. I’m a street sketcher, not a studio artist. The only time I draw at home is when I’m watching TV and that’s mostly doodling, with no specific goals in mind.
I thought about finding a reflective store window and doing one but felt that public selfie drawing was beyond anything I could endure. So, I just passed on the assignment…until a couple days ago. I was on a long walk, enjoying one of the last sunny, warm days we’re likely to have this year and I looked down. The sun was creating a negative of my image – most would call it a shadow.
So I got this bright idea to take a photo of it and then draw from my cell phone screen. Great idea in principle, not so great in execution as the sun made the screen image barely visible. I started this way but, ultimately, I “posed” myself a couple times, trying to capture pieces of ‘me’ from memory of those poses. The result is definitely a ‘close enough’ image and in the end I was happy with it. You can see my art bag (right side) and I even added my hand (sort of) holding my phone up to take the photo. I mean, what’s a selfie without a cell phone? Better, I think 🙂
Moleskine watercolor sketchbook (3×5), Pilot Falcon, PCB ink